BLOOD HUNT #1 (MARVEL ENTERTAINMENT)

Welcome to an all new edition of Parlay Points!

For this edition, Marvel Entertainment is about to unleash Hell On Earth. Touted as “The Bloodiest Marvel Event EVER”, the crossover event of 2024 has set the benchmark extremely high. It has been teased since last NYCC in October of 2023. What is the dark threat looming in the real MCU? Can it live up to expectations?

BLOOD HUNT #1 by Jed MacKay, Pepe Larraz, Marte Gracia and Cory Petit seeks out to answer all those questions and more in its’ debut chapter.

Let’s get ready to dive in and see if the hype is real.

BLOOD HUNT #1 by Jed MacKay, Pepe Larraz, Marte Gracia and Cory Petit (Credit: Marvel Entertainment)

*** POSSIBLE SPOILER WARNING ***

The saga begins with a few notable Marvel characters infused with the Darkforce. There is a countdown to “Sundeath” ticking away as readers watch the panels unfold. Events get graphic as a reveal is provided. The Sun has been killed. A voice narrates the shocking end. This has been someone’s plan all along….

Meanwhile, time shifts back fifteen minutes earlier to the SunDeath. Scarlet Witch is flying over a crowd. She sees Blackout. The villain has become ingulfed in dark energy. Iron Man informs her that more Darkforce characters are in the same situation. They have now become portals.

Hunter’s Moon and Tigra are assessing the Shroud becoming a portal. The time is now 25 minutes before SunDeath. As the pair starts piecing things together, they come to a quick conclusion. This is no accident. This is an ambush. A herd of Vampires fill the sky and presses forward towards them.

All over the world, Vampires are unleashing Hell on whoever comes across their paths. Neither Doctor Doom or Earth’s Mightiest Heroes can escape the invasion. There might be one person to make sense of it all: BLADE. Will he be enough to turn the tide?

Readers watch as the heroes come across a group ready to give them challenges. The Bloodcoven has arrived. Who will be left standing at the end of their confrontation?

Things get violent and graphic quickly. This leads to some shocking moments. none might be bigger than the closing page. A figure has made a choice. The consequences are deadly. Readers need to brace for impact as the event has already made some statements and it only just started.

BLOOD HUNT #1 by Jed MacKay, Pepe Larraz, Marte Gracia and Cory Petit (Credit: Marvel Entertainment) Cover - Peach Momoko

MacKay keeps fans guessing with the backwards working of the timeline in this chapter. The Sundeath countdown proves to be an effective plot point as the MCU crumbles. Seeing how the Avengers struggle right from the start speaks volumes of the threat.

The Bloodcoven is an eye-catching group. Their fury knows no bounds. Once they arrive, pacing speeds up to give the shocking fallout. MacKay doesn’t hold back on huge moments. The issue has much for fans to discuss. none might be greater than the final page. It is a bold ending to a very capturing story.

Larraz and Garcia unload the violence in the first salvo. The vampires are as ruthless as one would expect. They get a full page reveal as Hunter’s Moon and Tigra watch in fear . The imagery shows how even Doctor Doom needs to pause and adapt to their onslaught.

The brawl between the Avengers and The Bloodcoven leaves little on the cutting room floor. Following the full page reveal, graphic attacks are what fills the pages. It is intense fighting. Readers will have little time to process what they’ve seen as the final act unfolds. The closing full page will send shockwaves as the moment crushes fans before ending events for now.

FINAL POINT: 9

Marvel’s big crossover leaps heavy into violence and mystery with its’ debut chapter. MacKay guess readers on edge with fantastic storytelling. The art by Larraz, Garcia and Petit brings a distinct horror feel to the Marvel Universe. Brace yourself for some big events. This won’t be for the tame of heart as time goes on.

Hit me up on ODPHpod social media and let me know your thoughts on BLOOD HUNT #1. Thanks for reading.

SOMETHING IS KILLING THE CHILDREN #36 (BOOM! STUDIOS)

Welcome to an all new edition of Parlay Points!

For this edition, we are heading back into BOOM! Studios “Slaughterverse”. Last time fans saw Erica Slaughter, she was reeling from her encounter with Cutter. The emotional toll is still being felt by fans to this day. Where do things go from here?

SOMETHING IS KILLING THE CHILDREN #36 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design (BOOM! STUDIOS) heads into the past before showing Erica’s future.

Let’s take a trip back in Slaughterverse history!

SOMETHING IS KILLING THE CHILDREN #36 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design (BOOM! STUDIOS)

*** POSSIBLE SPOILER WARNING ***

The story begins five years prior to the showdown with Cutter. A Young child named Randy is raiding their refrigerator. On the news, the news anchor mentions children being mauled. It is presumed a bear or wolf is responsible. Readers know all too well it is more than that.

Randy sneaks into a barn with the stolen food. A figure is waiting inside for Randy. It is Erica Slaughter. Their talk is broken up by a dog belonging to one of the victims. Erica bonds with the dog as she starts piecing together her hunt.

Readers watch as Erica tries solving this mysterious case. What is the monster up to? Why the specific targets? The case heads into a distinct direction. The fallout delves into the composition of Erica. It is a bittersweet closing as the soul behind the hunter starts revealing itself to the audience.

Tynion takes readers into a self contained moment of Erica’s early life to much delight. The case is very straight forward. Erica is written as a evolving hunter, honing her craft. The connection with Randy and the dog make for memorable moments. Readers sense Erica’s growing concerns as she sorts through the hunt. The resolution exposes some elements while re-establishing her distance from others. Few writers can make a simple story so layered but Tynion pulls it off flawlessly.

Dell’edera and Muerto do a wonderful job building a tense feel in the beginning section of the issue. The use of 4-6 panels on each page constructs a slow pace leading to reveals. The art team also catches Erica having some glimpses of happiness with her animal companion. It is rare for her guard to be let down, but works to break up the brooding aura. The parting images leave the case closed with a noteworthy ending panel. There is no question that one case is closed but many more have just been opened.

FINAL POINT: 9.4

The journey into Erica Slaughter’s past is filled with emotion and mystery with this latest chapter. Tynion’s superb writing is setting the stages for a long pay-off. Dell’edera and Muerto provide impressive imagery capturing a side of the legendary hunter rarely seen. It’s phenomenal work that shouldn’t be missed.

Hit me up on ODPHpod social media and let me know your thoughts on Somehting Is Killing The Children #36. Thanks for reading.

HOUSE OF SLAUGHTER #22 (BOOM! STUDIOS)

Welcome to an all new edition of Parlay Points!

For this entry, we are following the final story involving a fan-favorite “slaughter-verse” character. House of Slaughter has given fans featured stories on certain characters. Few have won over readers such as Jace Boucher. Last we saw “The Boucher”, it appears his luck has run out. Can he make it though this latest ordeal in one piece?

HOUSE OF SLAUGHTER #22 BY Tate Brombal, Antonio Fuso, Miquel Muerto and AndWorld Design (Series Development: James Tynion IV and Designs and Development: Werther Dell’Edera) looks to give fans some more clues on the Butcher’s last stand.

Let’s take a closer look and see how things shape up.

HOUSE OF SLAUGHTER #22 BY Tate Brombal, Antonio Fuso, Miquel Muerto and AndWorld Design (Series Development: James Tynion IV and Designs and Development: Werther Dell’Edera) BOOM! Studios COVER: Nimit Malavia

*** POSSIBLE SPOILER WARNING ***

The issue begins in an abandoned amusement park. A young boy stands underneath a carousel. His name is Sunny Boucher. Sunny was under the care of Jace Boucher. That was the case until he was recruited into the House of Boucher by Jolie Boucher. Voices fill the air eluding to Sunny being in trouble.

The story shifts to Sunny being back at the House with Jolie. Jolie mentions how the Order from Chicago is here to take care of Jace. She sets up Sunny to trick Jace into walking into a trap.

Will Jace take the bait? Readers watch as the young boy is influenced to be the decoy to an onslaught. The rival House of Slaughter has some reservations about trusting Sunny. However, it appears that the plan might be falling into place.

Brace for a final act that changes everything. The closing image will have fans on edge knowing the Butcher’s final stand is in full swing.

HOUSE OF SLAUGHTER #22 BY Tate Brombal, Antonio Fuso, Miquel Muerto and AndWorld Design (Series Development: James Tynion IV and Designs and Development: Werther Dell’Edera) BOOM! Studios

Sunny Boucher’s story shifts dynamics as the driver for this chapter. The writing portrays him as a child looking for direction. The dynamic with Jolie wavers from loyal to uncertain. If not for her blind confidence, Jolie would see Sunny’s swaying opinions. This builds for a strong pay-off later.

The final act will hit longtime readers more than ones who jump in on the new arc. Knowing the back story between Jace and Sunny, it is an emotional moment that leads into a stronger one unfolding. The set-up for the final page works to carry the tension right to the next chapter.

The art doesn’t steer away of the pull on Sunny. The opening image of Sunny standing by the carousel sets an eerie tone. With the word bubbles surrounding him, the fear starts creeping in the young boy. The series of panels with Jolie “recruiting” Sunny leads readers through her delusional methods. This builds towards a solid middle act and striking final page.

FINAL POINT: 8.4

The last stand of Jace Boucher speeds forward with a solid chapter. The writing shows the confliction in a character who’s still finding their way. The art gives readers a sense of the emotional toll being taken. Mix them together and you have an issue worth checking out at the Comic Shops this week.

Hit me up on ODPHpod social media and let me know your thoughts on House Of Slaughter #22. Thanks for reading.

GRIM #16 (BOOM! STUDIOS)

Welcome to an all-new edition of Parlay Points! It’s the comic book review blog to the ODPH Podcast!

For this entry, the coolest book at the LCS returns! With a style and appeal that is all its own, the (after) life and times of Jessica Harrow has been a monster hit. Combining multiple elements of storytelling, comics’ favorite reaper has pushed the limits of creativity. Now entering a new arc, the series continues to set a high bar for others to follow.

GRIM #16 by Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano dives back into Jessica’s latest challenge: Annabel unleashing pure Hell on an unsuspecting Earth! Even with allies around her, will it be enough to stop the rogue Reaper?

Let’s not delay another second & check this issue out!

GRIM #16 by Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano (BOOM! Studios)

*** POSSIBLE SPOILER WARNING ***

After being betrayed by her aunt Adira, Jessica and her friends Eddie and Marcel have been tested to extreme measures. The tables turned quickly as Annabel used Adira’s bribe for a returned soul to unleash pure Sin! Now, Jessica and her remaining allies have bunkered down inside a diner as Annabel runs wild.

This chapter begins with a flashback sequence in 2003 Afghanistan. A young soldier is inside a building with another wounded known as Monroe aka “Roe.” The narration walks readers through the mindset of the lead soldier. As he helps up his wounded partner, a head shot kills Roe instantly.

The soldier processes what has just happened. Taking heavy fire, the narration shifts to the soldier fearing the end is near. Suddenly another voice jumps in and asks an awkward question. The time snaps back to present. Eddie is the guilty party for interrupting the narrator.

The mystery voice behind the flashback is none other than the Priest, whos’ story takes center stage. With Jessica gearing up to lead a fight, the Priest’s story of life and loss ignites a deeply moving tale. Readers will become locked in as events play out. Once the final pages unfold, the conclusion hits heavy with the inevitable about ready to commence.

GRIM #16 by Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano (BOOM! Studios) Cover: Riley Rossmo

Phillips pens an intense chapter filled with deeply emotional moments. The Priest’s story is filled with the deadly side of war. The phrase “War Is Hell” is never an understatement. Phillips weaves readers through the many phases of the Priest’s time in combat.

It carries a heavy weight as the moments build towards a crushing conclusion. The impact it has on Jessica is very evident. Knowing what lies ahead, even someone who’s been surrounded by death can still be affected by the life of a living being. This chapter gives a moving start to an already layers saga.

Flaviano, Renzi and Napolitano depict the hellish landscape of war with very bold imagery. The full page image of Roe’s death holds nothing back. The Priest’s reactions to events wear heavy with his facial responses. The ending of the flashback moments will hit readers very hard in their feelings. Even in the present, the art team closes events with a solid parting image, bracing for what lies ahead. Each creative member wastes no time in giving fans a return they won’t soon forget.

FINAL POINT: 9.8

Comics’ coolest book crashes New Comic Book Day with a powerful venture. Phillips’ strong writing lays the groundwork for a powerful chapter. The extreme landscape comes to life with the talents of Flaviano, Renzi and Napolitano crafting the dark imagery of the Priest’s past. This chapter is prime example of why Grim gets so much praise in its’ storytelling.

Hit me up on ODPHpod social media and let me know your thoughts on Grim #16. Thanks for reading!

HOUSE OF SLAUGHTER #21 (BOOM! STUDIOS)

Welcome to an all-new edition of Parlay points! It’s the comic book review blog to the ODPH Podcast!

For this entry, we’re beginning the final story of Jace Boucher. The Butcher of BOOM! Studios’ “Slaughterverse” has been carving a path in the Something is Killing The Children spin-off for quite some time. After recent events, Boucher appears to be on a deadly collision course. The Order of St. George is not one to forgive and forget. With them in pursuit, Boucher elects to play a deadly game. Can he win?

HOUSE OF SLAUGHTER #21 BY Tate Brombal, Antonio Fuso, Miquel Muerto and AndWorld Design (Series Development: James Tynion IV and Designs and Development: Werther Dell'Edera) kicks off an explosive new story.

Let’s take a deeper dive into the new chapter….

HOUSE OF SLAUGHTER #21 BY Tate Brombal, Antonio Fuso, Miguel Muerto and Andworld Design (Series Development: James Tynion and Designs and Development: Werther Dell’edera) Credit: BOOM! Studios

*** POSSIBLE SPOILER WARNING ***

In the port of New Orleans, a caravan of black cars drive. The narration tells a timeless story. Suddenly a voice asks to pull over. A man jumps out coughing blood. He sees the silhouette of Boucher in the distance. Reality sets in and the image disappears. The man is the Old Dragon of House Slaughter.

The group representing the Order of St. George has entered the halls of the House Of Boucher. Readers watch as the moment’s tension cuts like a blade. Both houses have different styles all their own. However, both agree on the same thing: End Jace Boucher once and for all. The meeting ends with the Old Dragon still scheming as winning this contest is the only option.

What does this mean for Jace? Readers witness as the life he’s tried hard to build now comes into direct danger. From the previous stories, Jace is far from healed of his demons. The final parting pages leave no question that Jace is determined to slay them along with his enemies. Let the hunting begin!

HOUSE OF SLAUGHTER #21 BY Tate Brombal, Antonio Fuso, Miguel Muerto and Andworld Design (Series Development: James Tynion and Designs and Development: Werther Dell’edera) Credit: BOOM! Studios

Brombal leans heavy into the uneasiness of the two factions for where this story leads. Dragon’s arrogance to the House Of Boucher is returned to make for a game of one-upmanship. The writing showcases the impact Boucher’s actions have on both houses. It adds more fuel to their causes to eliminate him.

Jace’s demons still play a factor into his role with the story. The writing mirrors the damage that has been done previously. It helps to build what is decided in the closing moments. The seeds have been planted for a dangerous chess match.

Fuso and Muerto construct a high level of pressure when the houses meet. The mannerisms shown towards each other indicates the uneasy alliance being made. The panels lead with Dragon getting a feel for the new house before turning the tables into his own favor.

The imagery of Jace shows his confliction with well placed flashbacks. The battle with the monster is fitting of the tow-page spread it gets. The battle is perfectly capped off with a bloodied Jace emerging from battle in a full page shot. The closing images leave readers with no hesitation of Jace leaving everything on the table when it’s all said and done with the Houses.

FINAL POINT: 8

The last stand of the Butcher begins with a slow burn first issue. Brombal crafts the writing to weave the key players towards their eventual collision course. Fuso and Muerto provide the high stakes images to solidify there will be no turning back from where this story is heading. Keep this one on your radar at the comic shops this week.

Hit me up on ODPH social media and let me know your thoughts on House of Slaughter #21. Thanks for reading.

THE DEVIL THAT WEARS MY FACE #5 (MAD CAVE STUDIOS)

Welcome to an all new edition of Parlay points, the comic book review blog to the ODPH Podcast!

For this entry, we’re diving back into an intense story that combines elements of horror, action, and drama. The one-upsmanship style chase between Father Vieri and Legion has taken some insane turns. Where the story braces to go now will surely keep fans on the edge of their seats.

THE DEVIL THAT WEARS MY FACE #5 by David Pepose, Alex Cormack, Justin Birch (Mad Cave Studios) looks to turn things up a few notches with this latest chapter.

Let’s take a closer look and see where we go from here.

The Devil That Wears My Face #4 by David Pepose, Alex Cormack, and Justin Birch. (Credit Mad Cave Studios. Cover By Alex Cormack.)

*** POSSIBLE SPOILER WARNING ***

On a burning ship, the spirit of Father Vieri is trapped inside its’ current vessel. Mortally wounded, time is not on the side of the Father. As Vieri makes his call, a name is mentioned that is answered. The name is Santiago Izan.

A spirit emerges. It claims to be the real Santiago Izan. Before there’s time to react, they’re taken down to Hell via demons.

Meanwhile, Legion (in Vieri’s body) stands over the fallen Brother Gabriel. Legion plans to explain the gapping hole in Gabriel’s body. His plans are interrupted by Cardinal Pentecost. Pentecost calls him out for his bizarre behavior. The conversation heats up. It’s interrupted by Maria, who knows that Legion is inside Vieri’s body.

Suffice to say, there are a LOT of moving parts with this story. The descent into the darkness challenges Vieri. Readers see his story take a few twists in finding the truth. The question becomes will he solve it in time?

As for Legion, can he thwart off the Cardinal and Maria? The challengers arise but a power play is made. Readers see a dramatic moment sends things heavily into Legion’s favor. This all boils over into the final pages where the ultimate showdown looks to be heading for an explosive finale.

The Devil That Wears My Face #4 by David Pepose, Alex Cormack, and Justin Birch. (Credit Mad Cave Studios. Cover By Alex Cormack.)

Pepose excells in juggling the vast character stories with this chapter. Both Vieri and Legion’s paths take intense shifts within these pages. Vieri’s path lets his true character shine as he tries saving a soul. The same can be said for Legion. He is pure evil and the writing gives him devious charisma while executing his plans. It’s a classic tale of good vs evil.

The build towards the close comes off steady and to the point. The shocking moments just flow and never feel forced. It gives both leads a final sell to the readers of the magnitude of the final confrontation.

Cormack and Birch spare no expense with the horror elements. The full page panel where Vieri gets pulled to Hell jumps off the page. The facial expressions of Legion convey the manic nature of the demon. Even when confronted, the eyes give away his demonic attitude. This plays into the final act. Seeing one last moment of action, Legion’s ultimate endgame comes to light with a full page panel screaming “The End Is Near”.

FINAL POINT: 9

The pen-ultimate chapter of Father Vieri’s & Legions deadly dance doesn’t disappoint. Pepose constructs the path to the final confrontation balancing horror and heroics. Cormack and Birch bring the hellish playing field to life with haunting imagery. Buckle in for a final showdown for the ages.

Hit me up on ODPH social media and let me know your thoughts on The Devil that Wears My Face #5. Thanks for reading.

BOOK OF BUTCHER #1 (BOOM! STUDIOS)

Welcome to an all-new edition of Parlay points, the comic book review blog to the ODPH Podcast!

For this entry, we are heading back to the world of one of Comics’ best series. Since its’ debut, the dangerous world of the Order of St. George has been a home to comic fans and critics. Something Is Killing The Children by BOOM! STUDIOS is consistently winning awards and is slated for a live-action show on Netflix.

As for comics, it has already spawned off another series, House Of Slaughter, with a special one-shot debuting last year: Book Of Slaughter. Now nearly a year later, the story of Maxine Slaughter continues.

BOOK OF BUTCHER #1 by James Tynion IV Werther Dell’Edera Miquel Muerto AndWorld Design, Tate Brombal, Antonio Fuso, Letizia Cadonici, and Chris Shehan picks right up where things left off. Let’s take a closer look and see how Maxine’s life has changed.

BOOK OF BUTCHER #1 by James Tynion IV Werther Dell’Edera Miquel Muerto AndWorld Design, Tate Brombal, Antonio Fuso, Letizia Cadonici, and Chris Shehan (Credit: BOOM! Studios - Cover: Dan Mora)

*** POSSIBLE SPOILER WARNING ***

After dealing with the death of Aaron Slaughter, Maxine contemplates the future. Cecilia, the aplha of her Withe Mask pack, presents her with a unique offer. With a shortage of Black Masks (solo hunters), there is a need to have more for the Order. The process is difficult to change masks. Maxine finds this out when she digs into the history of Erica Slaughter and the Order itself. Even with this knowledge, Maxine agrees to change.

The story begins with in the swamps of New Orleans. Maxine returns to a house. She is wielding axes covered in blood. A man watches and asks her if something is dead. Maxine replies with pushback. Maxine claims she doesn’t even know what she is hunting. Their banter is aggressive. Readers soon find out that the man is Louis Boucher, Maxine’s trainer to becoming a Black Mask.

After a meeting with Cecilia about her current situation, the story shifts back to the house in the Swamp. Maxine walks into Louis’ office. Maxine is asking for food and help. The response she gets is less than warm. Louis hands her a book. Inside are the pages to further her journey along.

Readers tag along as Maxine dives into the history of monsters via the House of Boucher. The information is vital in Maxine’s growth in becoming an independent hunter. The information also creates a new dynamic between Louis and Maxine.

Making moves in the shadows is Cecelia. She passes along where Maxine’s next stop should lead her. Readers of SIKTC know this place all too well. However, before heading there, Maxine still has more to learn from Louis. The final act throws a swerve into the situation. An idea is mentioned that looks to play a greater impact on Maxine’s story that she could ever imagine. The final panel’s chilling words cement that before leaving readers until next time.

BOOK OF BUTCHER #1 by James Tynion IV Werther Dell’Edera Miquel Muerto AndWorld Design, Tate Brombal, Antonio Fuso, Letizia Cadonici, and Chris Shehan (Credit: BOOM! Studios - Cover: Werther Dell’Edera)

Tynion challenges Maxine’s concept of what hunting is all about. The dynamic between her and Louis is rocky at best. Louis comes across as gruff and unapologetic. The debate about her learning is a version of “tough love” which offsets Maxine. The writing shows Maxine struggling to absorb the knowledge Louis is passing along. This remedies out by the final act, where it appears Louis gives her a lesson in trust.

The writing also plays up Cecilia as a difficult teacher in her own right. Their conversations are more pleasant than the ones with Louis. They also reflect the dangerous tasks that lie ahead for Maxine. This comes full circle in the final act. As Louis as been tested, his words become haunting as the latest lesson has been taught with a hint of doubt thrown in the mix.

The art duties are split throughout the issue. Maxine and Louis’ story gives readers a tense, uneasy lesson in hunting monsters. Cecelia’s story comes to life with subtle reactions while Maxine tries stating her issues wit Louis. The Boucher book is filled with excellent images of the monsters that live in the Slaughter-verse. It’s a complete package of telling multiple tales while keeping things moving in the same direction.

The final act is filled with a darker coloring scheme that illustrates the horrors Maxine thinks she is facing. The imagery translate more than the reader thinks. Balanced by the writing, the closing panels plant the seeds for something more sinister on the way.

BOOK OF BUTCHER #1 by James Tynion IV Werther Dell’Edera Miquel Muerto AndWorld Design, Tate Brombal, Antonio Fuso, Letizia Cadonici, and Chris Shehan (Credit: BOOM! Studios - Cover: Jae Lee)

FINAL POINT: 8.5

Maxine Slaughter’s transformation in the Order of St. George enters a new level with a stand-out tale. With Tynion’s strong writing guiding the all-star line-up of creators into creating a story of knowledge and trust, this will be one for fans not to pass on for New Comic Book Day!

Hit me up on ODPH social media and let me know your thoughts on Book Of Butcher #1. Thanks for reading!

CANARY #6 (COMIXOLOGY ORIGINALS)

Welcome to an all new edition of Parlay points, the comic book review blog to the ODPH Podcast!

For this entry, we have finally arrived at the conclusion of the last ride of Marshall Holt via Comixology Originals & Best Jackett Press. Since its’ debut in the second wave of Scott Snyder’s line of BJP comics, the horror-western tale has grabbed readers’ imagination and never loosened its’ grip. Now, all best are off for the final showdown of good and evil in the wild, wild west.

CANARY #6 by Scott Snyder, Dan Panosian, Richard Starkings and Will Dennis brings down the curtain on the mystery of the terrors of a small town. Let’s take a closer look and see how things play out.

CANARY #6 by Scott Snyder, Dan Panosian, Richard Starkings and Will Dennis

Credit: Comixology Originals via Best Jackett Press

*** POSSIBLE SPOILER WARNING ***

Marshall Holt is on the verge of retirement. He’s recruited to investigate a murder in 1891. The case leads him to the town of Canary. Holt knows this town all too well. It is the location of his most disturbing case: Hyrum Tell.

While searching the case, Holt is joined by Edison Edwards (or Ed-Ed), & Mabel Warren, daughter of Canary founder Chester Warren. The trio’s journey leads them from an abandoned cave to “The Global Geological & Divination Society 1081” or House 1081. The “Canary Evolution” theory looms heavy as they can’t escape the danger. All the while, Holt is trying to hold it together with the memories of his past begin to creep into the present.

After a monstrous figure reveals itself from the grave surroundings below, Holt leads the charge to head to the bottom of the cave and address whatever evil lies there once and for all.

The issue begins with Holt returning to his family’s home. The mood is dark and looming with an evil hiss. As Holt walks in the house, he finds his wife and baby dead as canary eggs lie on the floor.

Suddenly, Holt is back with Mabel as they prepare to descend to the bottom of the cave. Knowing time is not on their side, the pair lowers the elevator. Once they begin to head downward, Mabel notices that things are not normal.

The road to Hell is paved with dark intentions as Holt and Mabel finally land at the deep bottom. Once they walk out of the elevator, readers see the insanity they set into. Answers are revealed and more burden is put on Holt’s soul as he now finds himself in a place he never expected.

The closing act floods the pages with excitement and rising uncertainty. Can Holt save the day one last time? Readers will walk away with a few parting images before a surprising one to conclude this epic tale with.

CANARY #6 by Scott Snyder, Dan Panosian, Richard Starkings and Will Dennis

Credit: Comixology Originals via Best Jackett Press

CANARY #6 by Scott Snyder, Dan Panosian, Richard Starkings and Will Dennis

Credit: Comixology Originals via Best Jackett Press

Snyder sends Holt off into the sunset with an unforgettable issue. The challenges he has faced have not been an ordinary case. Tull’s impact on his life never strays too far from this story. Holt battles the ghosts of his past to find a possible future. Snyder focuses in on this element during the key points of this finale.

Once the big revelation appears, Snyder presents our lead with the challenge of being vigilant for the greater good, no matter the cost. The conflict is one that will not easily escape reader’s minds as they read the tale. It pushes Holt to his breaking point. Knowing what lies ahead, his actions re-assure any doubt of his nobility in the face of overwhelming odds.

The final moments move briskly to end this saga on a very strong note. The parting images will have readers talking as the “Canary Evolution” theory leaves a lasting impression for an immediate re-read for years to come.

Panosian delivers on looming horror and crushing drama art to conclude the last ride. The heart-wrenching images of Holt struggling to deal with his family’s state instantly sets a devious overtone to the story. Once the decent inside the cave begins, readers brace for the impact of Holt’s valiant efforts.

The cave is filled with brooding images of terror and anxiety. There are a run of two-page spreads that scream volumes of the breaking of Holt’s spirit right before the evil’s reveal. Panosian welcomes that element to the main story with a devilish hello via its’ body language. Showing Holt’s reaction to all of this further cements the cost he must decide to pay to end things. The conflict concludes with another fantastic double page action shot before bringing the curtain down. The mastery of horror and western styles is truly remarkable with the artistry.

CANARY #6 by Scott Snyder, Dan Panosian, Richard Starkings and Will Dennis

Credit: Comixology Originals via Best Jackett Press

CANARY #6 by Scott Snyder, Dan Panosian, Richard Starkings and Will Dennis

Credit: Comixology Originals via Best Jackett Press

FINAL POINT: 9.5 OUT OF 10

When the dust settles and smoke clears, Snyder and Panosian conclude Marshall Holt’s last case with a spectacular conclusion! Superb writing lays the foundation for mind-blowing visuals to guide readers into a gritty showdown of good verses evil.

Hit me up on ODPH Social media and let me know your thoughts on Canary #6. Thanks for reading.

HOUSE OF SLAUGHTER #20 (BOOM! STUDIOS)

Welcome to an all new edition of Parlay points, the comic book review blog to the ODPH Podcast!

For this entry, BOOM! Studios spin-off series from “Something Is Killing The Children” has showcased certain characters of the Slaughter-verse. The anthology style book has featured such characters as Jace Boucher and Edwin Slaughter in solo adventures. In its’ current arc, the spotlight is on Bait, a white mask who doesn’t speak and has no arms. Now arriving at his story’s end, Bait sees no easy way out of the misfortune he has found.

House Of Slaughter #20 by Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera brings a conclusion to the White Mask’s saga in “Alabaster”. Let’s see how the conclusion shapes up.

House Of Slaughter #20 by Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera (Credit: BOOM! Studios - cover: Javier Rodriguez)

*** POSSIBLE SPOILER WARNING ***

Bait was sent by the Order of St. George to investigate a string of murders in Erie, Pennsylvania. While there, he posed as a foster child and quickly became distracted by Nannette. Nannette bears a striking resemblance to his sister Ashley, who was murdered. With his judgement clouded, Bait slips up some secrets he shouldn’t.

This causes the Order to act swiftly. An order is given but Bait struggles with this. Knowing that Nan is sick and the cause behind these monsters, Bait tries to succeed where failure is the only option. When making a stand at the foster home, things do not side in his favor. During this moment, Bait is impaled by a monster!

The closing chapter begins with Bait watching the chaos ensue around him. A group of White Masks have arrived to confront the monsters. The battle is violent and unrelenting. Wounded, Bait can only watch as the Order steps up to finish the order given once and for all.

Readers get a blunt picture of the Order’s way of business. The imagery is graphic but reflects the cold-hearted ways of the mysterious group. Between the scolding of his fellow members, Bait is left only to watch his worst fears come true.

The fallout leads Bait back home. Readers see that a hero’s welcome might not be in his cards. The scenes are tough and hold nothing back. As the final act approaches, Bait’s world as he knows it will be forever changed from the murders in Pennsylvania. The ending sequence poses some surprises as one chapter has closed…for now, but it will only be a matter of tie before readers see the Order strike again.

House Of Slaughter #20 by Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera (Credit: BOOM! Studios - cover: Werther Dell'Edera)

Johns ties up loose ends with a solid finale to Bait’s latest mission. The struggle for following his heart vs. following the Order proved to be a heavy weight for the lead character. Johns pours in the emotional attacks as events unfold that greatly impact Bait. Right to the very end, Bait’s choices play out with make readers sit up and take notice.

One area that will jump out is how the Order takes care of “loose Ends”. Johns doesn’t glamorize the ruthless nature of the organization. Their actions truly speak louder than words. However, there are a few “good” members of the Order that make their way into the story. The ending makes readers think about what has transpired and leaves hope for what’s next. It brings the curtain down on this great performance until next time.

Cadonici and Segala paint the chilling picture of events throughout this issue. Opening with a two-page spread of mayhem works to create the tense mood of this chapter. The book’s statement panels come from how the Order ties up the remaining factors of the mission at hand.

The art team holds nothing back at the horrific methods in place. It connects with readers about how dire things look for Bait. These themes flows into the closing act as Bait comes to deal with the consequences of his actions. The final moments give a solid curveball to where things go from here. Another great arc is over for now, but not for long in the pages of this series.

House Of Slaughter #20 by Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera (Credit: BOOM! Studios - cover: Erica Henderson)

FINAL POINT: 9 OUT OF 10

Bait’s valiant attempts to win seem a losing cause in the pages of the SIKTC breakout series. Johns sets closes the door on this chapter with emotional writing while Cadonici and Segala echo the looming fear of repercussions for good intentions with excellent art. This will be one not to miss on New Comic Book Day this week!

Hit me up on ODPH social media and let me know your thoughts on House Of Slaughter #20. Thanks for reading.

SOMETHING IS KILLING THE CHILDREN #35 (BOOM! STUDIOS)

Welcome to an all-new edition of Parlay points, the comic book review blog to the ODPH Podcast!

For this entry, the showdown fans of Erica Slaughter have been waiting for is finally here! After an excellent slow-burn build, “The Showdown at the Easy Creek Corral” pits BOOM! Studios legendary monster hunter against her greatest rival to date! Considering last issue’s cliffhanger ending with a character’s life hanging in the balance, losing is not an option.

SOMETHING IS KILLING THE CHILDREN #35 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design gives readers the “big fight aura” with its’ story arc conclusion. Let’s not delay any longer and jump right into the action, shall we?

SOMETHING IS KILLING THE CHILDREN #35 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design (Credit: Boom! Studios)

*** POSSIBLE SPOILER WARNING ***

Erica Slaughter’s current investigation has led her to Tribulation, New Mexico. When a monster known as the Duplicitype (who now has taken the form of Erica) violently murders a family, a lone survivor named Gabi is on borrowed time.

Gabi is now under the custody of Riqui, a bartender doing all she can to help her. Even with Sheriff Carter’s involvement, the danger hasn’t left Tribulation. It’s only grown more terrifying. This is all because of an insane force of nature: Charlotte Cutter.

Cutter has been hired by the Order of St. George to eliminate Erica as she is considered a loose end to business. Knowing that re-emerging would put her life in danger, Erica took the chance to help Gabi anyway. Unfortunately, death and destruction has been left in Evil’s wake.

Erica, Riqui and Gabi make a final stand to draw out the Duplicitype but Cutter has crashed the party. Once Gabi is captured by Cutter, Erica makes a tough call to shoot the poisoned arrow meant for the monster at Cutter. Unfortunately, Cutter grabs it in mid air and stabs Gabi with the poison!

This issue wastes no time as Erica makes a direct line to attack Cutter. Gabi is screaming in pain as the poison starts taking hold. Riqui is helpless to stop it. Their words provide the soundtrack for an all-out violent throwdown between Erica and Cutter.

Nothing is held back as the two fight to the death. Readers get their money’s worth and then some as the rivals deliver on the emotional tension that’s been building. All the while, the monster is still walking towards their location.

The drama never stops escalating as the chaos swirls around Erica like a hurricane. Once the smoke clears, the resolution leaves scars that won’t fade away for Erica and the readers. Get ready for an intense payoff as one chapter closes but another one prepares to begin within these epic pages.

SOMETHING IS KILLING THE CHILDREN #35 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design (Credit: Boom! Studios - Cover: Cliff Chiang)

Being the champion of Slow-Burn drama, Tynion delivers a highly emotional conclusion to this arc. Erica’s struggle to find a win has been a major driver for this arc. Cutter has been one step ahead of her at every phase. With their final confrontation here, Tynion unleashes Cutter at her most deadliest. With stabbing words while hurting Erica, the dialogue uses words as weapons. It plays completely into how unhinged Cutter is. It also pushes Erica to go into another level to win.

The second confrontation nails the impactful build-up for the case as well. Gabi’s story has been the backbone of the entire arc and receives an magnificent send-off. Tynion mixes in elements of tragedy and triumph in an even blend to close out this tale. The ending issue arc reminds readers of how even in victory, there is much defeat. It further defines how incredible this series is

Dell’edera and Muerto bring the action at a fast pace throughout this issue. They mix in only a few moments to let readers catch their breathes. Those moments still jump out as you see Cutter’s insanity go toe-to-toe with Erica’s unbreakable will. It’s a great compliment to the fighting. Readers are gifted a full page panel that kicks off the conclusion of their altercation. It’s also a visual that will arguably cause a vocal “YES!’ reaction as well. That’s how much the art will lock you into the drama.

There are also a few other full-page images that will connect with readers in other ways. The story ranges with extreme highs and lows involving those panels. closing moments bring the story back down to set forth a solid overall conclusion. The parting image couldn’t be crafted any more perfect to conclude this chapter of Erica Slaughter.

SOMETHING IS KILLING THE CHILDREN #35 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design (Credit: Boom! Studios - Cover: Declan Shalvey)

FINAL POINT: 10 OUT OF 10

The latest challenge in Erica Slaughter’s life comes to a chaotic and explosive conclusion with an amazing issue. Tynion’s superb writing orchestrates the thrilling showdowns fans have been waiting for. Dell’edera, Muerto & Andworld Design showcase through incredible imagery the brutality and heart-breaking reactions to another SIKTC classic! Absolutley DO NOT LEAVER THE LCS WITHOUT THIS ISSUE!

Hit me up on ODPH social media and let me know your thoughts on Something Is Killing The Children #35. Thanks for reading!

BLACK SIGHT #3 (COMIXOLOGY ORIGINALS)

Welcome to an all-new edition of Parlay Points, the comic book review blog to the ODPH podcast!

For this entry, we’re diving further into the madness and mystery of Alex Greer. Since its’ debut on Comixology Originals, the psychological thriller set in the 1960’s has kept readers on the edge of their seats. Now approaching the midway point, all bets are off on what levels of danger awaits the lost American in Amsterdam.

BLACK SIGHT #3 by STEPHANIE PHILLIPS, Conor Boyle and Tom Napolitano continues to peel back the layers of the haunting story. Let’s take a closer look to see where things head now, shall we?

Editor Note: This is a MATURE READERS story. Some of the images might be difficult for younger readers. Discression is advised.

BLACK SIGHT #3 by Stephanie Phillips, Conor Boyle and Tom Napolitano (credit: Comixology Originals – Cover: Dave Johnson)

*** POSSIBLE SPOILER WARNING ***

Alex Greer has been through quite the ordeal. After waking up next to a dead woman, Alex has been placed under psychiatric watch. With a vested party watching her every move, Alex tries to find a way out. This is easier said then done. After seeing the alleged victim working as a nurse, Alex is convinced more is going on. Will she get the chance to prove her innocence?

This chapter opens up with Alex waking up in the middle of a residential street. With kids poking her with a stick, Alex comes to and knows something is wrong. When she looks at a house, readers find out that Greer is “home”.

As she walks in, Greer sees her mother riving in pain. Readers see the relationship between the two is fragile at best (if at all). As the moments progress, it ends with a chilling message of blaming Alex.

Once it ends, Alex is back at the hospital. Restrained and confused, Dr. Kincaid is standing over her. The drama intensifies as Alex and the doctor have a conversation that doesn’t bode well for his patient. What over evils are lurking? Can Alex survive another night? More questions arise as Dr. Kinciad is just starting to impose his plan with Alex. Once the final image is revealed, any hope of survival sees further and further out of reach.

BLACK SIGHT #3 by Stephanie Phillips, Conor Boyle and Tom Napolitano (credit: Comixology Originals – Cover: Dave Johnson)

BLACK SIGHT #3 by Stephanie Phillips, Conor Boyle and Tom Napolitano (credit: Comixology Originals – Cover: Dave Johnson)

Phillips kicks this chapter off pushing Alex’s psyche into an uncomfortable state. Dealing with her relationship with her mother, Alex experiences a truly terrifying experience. Once it concludes, the reality of the situation might be worse than the dream itself.

The verbal chess match between Kincaid and Alex is a strong point to this issue. With everything falling around her, readers see Alex is sill holding onto hope that she will be free soon. Phillips takes this moment of hope and throws readers a curveball with the parting panels. Just when readers think they have an idea, Phillips changes the questions.

Boyle and Napolitano being with a nightmare that will shake readers to their core. The imagery of Alex’s mother reflects their broken state. The lettering only amplifies the fear being felt by Alex. For anyone who’s seen Napolitano’s work, this is no surprise as he is one of the best in the field. Its a connection easy for the readers to make.

This leads into another strong use of Yellow to establish where the story leads now. It’s complimented by a four panel page exemplifying the terror. As Alex descends further into the dangerous world of Kincaid, the art mirrors the hellish landscape. This builds towards the closing act with captures a facial expression that perfectly closes out another excellent chapter.

BLACK SIGHT #3 by Stephanie Phillips, Conor Boyle and Tom Napolitano (credit: Comixology Originals – Cover: Dave Johnson)

BLACK SIGHT #3 by Stephanie Phillips, Conor Boyle and Tom Napolitano (credit: Comixology Originals – Cover: Dave Johnson)

FINAL POINT: 9 OUT OF 10

The slow-burn breakdown of Alex Greer sinks into a dangerous low with another thrilling chapter. Phillps’ strong writing tears away another layer of Alex’s psyche with Boyle and Napolitano delivering magnificent imagery to ensnare readers throughout the pages. You don’t want to miss this one on New Comic Book Day.

Hit me up on ODPH social media and let me know your thoughts on Black Sight #3. Thanks for reading.

SOMNA #1 (DSTLRY)

Welcome to an all-new edition of Parlay points, the comic book review blog to the ODPH Podcast!

For this entry, we’re checking out a brand new series debuting from DSTLRY! Over the summer of 2023, “The Devil’s Cut” gave readers an insight of what to expect from the upstart line. With some of the best creators in the business involved, it was a huge win with fans.

Since that point, the anticipation for more content from this line has been building. Recently, Gone #1 by Jock was released. Now, another entry from this imprint is hitting the shops with a great buzz behind it. Considering its’ creative team, there’s no doubt why fans are excited to check this series out.

SOMNA #1 by Tula Lotay, Becky Cloonan, Lee Loughridge, Dee Cunniffe and Lucas Gattoni brings an erotic horror element to the local comic shops with this series. Let’s take a closer look and see how this debut fares.

Editor note: This is a MATUTRE READERS book. Viewing discression is advised.

SOMNA #1 by Tula Lotay, Becky Cloonan, Lee Loughridge, Dee Cunniffe and Lucas Gattoni (Credit: DSTLRY)

*** POSSIBLE SPOILER WARNING ***

A woman named Ingrid is walking through a forest landscape. The narration leads readers to believe it is a dream. She is wakes up after being enamored to a cold reality. However, it appears that the dream might not be done as a figure lurks trying to connect with her on a physical and sexual manner.

Suddenly, Ingrid wakes up to her husband Roland, a bailiff, who’s trying to have her accompany him to a trial. Ingrid doesn’t want to go and this causes Roland to storm off. In response, Ingrid heads into the forest and looks overhead at her village with a roaring fire. It is no ordinary fire. It appears to be where witches were burnt at the stake.

The fire snaps her back into the dream-like world. Ingrid sees herself as the one in the fire. She’s snapped back to the present by Maja and her son. The conversation shifts to who was being punished.

Later that evening, Ingrid sits by a fire as Roland returns. As she tries to initiate passion, he scoffs it away. As they sleep, the mysterious stranger reappears in her dreams, connecting with her on a level Roland cannot. When she wakes, Roland is not as understanding to what she is describing.

How does Ingrid process her dreams? After the recent trial and reactions from the village, her thoughts wander. As her dreams intensify, Ingrid becomes entrapped between two worlds. As the closing act approaches, readers see where Ingrid leads to as an event occurs that sets her on an unforeseen path. The journey now begins that will have readers locked in until the next chapter drops.

SOMNA #1 by Tula Lotay, Becky Cloonan, Lee Loughridge, Dee Cunniffe and Lucas Gattoni (Credit: DSTLRY - Art featured: Becky Cloonan)

The writing breaks down Ingrid into multiple stories. The first is the gruff relationship with Roland. The mood is tense and cold as their interactions lead to mounting tension with little middle ground. Ingrid comes across as a character yearning for more, which drives her to lean into her dreamscape.

Her path leads to the question of “Is perception really reality” as Ingrid walks a fine line throughout this issue. Knowing there’s a hint of danger in her dreams, the writing reflects her wanting more than she has and how scary that could be. As the story rolls into its’ closing portion, readers see how Ingrid inches closer to the edge. After the event transpires, there is a sense of looming fear of that should transpire next which leaves a lasting impression.

The art duties are split into two distinct areas. Cloonan handles the present time, featuring the interactions with the village. The mood is that of trepidation as the burning trial lingers on Ingrid’s mind. The body language of Ingrid and Roland shows disfunction and frustration on all parities.

This only adds to the significance of the dreamscape. Lotay paints a vivid landscape of wonder and anxiousness as Ingrid’s interactions with the figure intensify with each page. The art captures the raw emotions of the encounters bringing readers along to sense what Ingrid wants and sense her fear in the consequences. It all ties together with a striking final vision leading to more thrilling drama yet to be seen.

SOMNA #1 by Tula Lotay, Becky Cloonan, Lee Loughridge, Dee Cunniffe and Lucas Gattoni (Credit: DSTLRY - Art featured: Tula Lotay)

FINAL POINT: 8.5 OUT OF 10

Cloonan and Lotay welcome readers into the complex world of Ingrid with a visually impressive debut. Ingrid’s haunting dreams battle the harsh reality of her world with excellent art and writing. The layers of this mystery are just being peeled back so readers won’t want to miss jumping on-board now to see where things lead from here.

Hit me up on ODPH social media and let me know your thoughts on Somna #1. Thanks for reading!

PARLIAMENT OF ROOKS #1 (COMIXOLOGY ORIGINALS)

Welcome to an all new edition of Parlay points, the comic book review blog to the ODPH Podcast!

For this entry, Comixology Originals has a brand new series debuting with a very familiar creator returning to the line. Since 2018, Abigail Jill Harding has been gifting fans with the stunning imagery of the “Ask For Mercy” series with Richard Starkings. With this new series, Harding is making her writing debut with a tremendous amount of buzz behind it.

Parliament of Rooks #1 by Abigail Jill Harding and
Richard Starkings looks to have fans attention with a magnetic story playing out behind its’ concept. Let’s see how this debut fares, shall we?

Parliament of Rooks #1 by Abigail Jill Harding and Richard Starkings (Credit: Comixology originals)

*** POSSIBLE SPOILER WARNING ***

The story begins with birds known as rooks flying around a graveyard. Behind guarding stone angels guarding a room, the sky has a red moon. A monstrous figure walks from the doorway with the angles weeping. As it approaches a gateway, the creature shapeshifts and flies away into the night sky.

The scenery moves to a castle on a hill. Inside lies a woman appearing on her deathbed. As she looks out the window, the creature shifts into a human form. Known as Darius Ravenscar, he kneels at her side. Readers sense there is a strong connection to the pair with the woman asking to relive their past. The stranger obliges and the story kicks into gear.

With imagery of a woman casting a spell into a fire deep in the forest, Ravenscar awakes inside his bed. Franticly running late, he makes his way into the city of Eborvik, towards the castle. Inside, he sees a woman named Princess Seraphina playing her harp.

The noticable admiration fills the scenes but there is one person not happy with what is unfolding. King Sitric, Lord of the Four Vales, orders Ravenscar to leave.

While leaving the castle, events start to unfold that drastically change the path of the story. What happens to Darius when he leaves? How does his life change? Readers see there is more than the King interfering with what Darius cares for. Fate has intervened in an unlikely way. The closing act covers a range of emotions before charging into its’ final moments. Once seen, the ending of the chapter foreshadows a deeper story lurking that has only just begun to come to the surface.

Parliament of Rooks #1 by Abigail Jill Harding and Richard Starkings (Credit: Comixology originals)

Parliament of Rooks #1 by Abigail Jill Harding and Richard Starkings (Credit: Comixology originals)

Harding paints a dark and complex story with her writing debut. Ravenscar instantly comes across as a tortured soul when he debuts. The elements of horror and hope dance through the dialogue as both he and Seraphina play into a world they hoped to have found together but never did.

The backstory of the pair dives into the brooding conflict with the King. Emotions run high as his majesty is determined not to allow events to grow further. The direction of the book shifts after the castle into unlikely places. This is where Harding’s writing goes up another level, connecting the doomed couple into fleeting moments of happiness. It’s these events that feel even further away once the closing moments happen. Once the chapter close, there is much left for readers to return and see how things play out.

The art reflects the moods and themes portrayed from the beginning. The full-page introduction image of Darius creates a bold debut locking readers in. This is also matched buy another full page panel of Darius after events have changed his future.

The use of coloring adds another layer to the saga at hand. Being a black and white book, once the red coloring is used, it signifies a change. It also announces the Rooks hovering overhead and where they connect to the shift in moments. The book is detailed with emotion and striking visuals. It has a great deal going on but paced enough where nothing feels out of place. The final panel brings the book to a screeching halt but leaves no doubt for things to come.

Parliament of Rooks #1 by Abigail Jill Harding and Richard Starkings (Credit: Comixology originals)

Parliament of Rooks #1 by Abigail Jill Harding and Richard Starkings (Credit: Comixology originals)

FINAL POINT: 8 OUT OF 10

Powerful imagery bolsters the strong writing debut of Harding for a love story unlike any other. Blending the worlds of horror and hope, the story of Ravenscar and Seraphina takes readers into many directions before leaving a terrifying note as to what the future holds.

Hit me up on ODPH social media and let me know your thoughts on Parliament of Rooks #1. Thanks for reading!

HOUSE OF SLAUGHTER #19 (BOOM! STUDIOS)

Welcome to an all new edition of Parlay points, the comic book review blog to the ODPH Podcast!

For this entry, We’re following along the latest installment of BOOM! Studios spin-off series from the world of James Tynion IV. With the mysterious inhabitants of the “slaughter-verse” being featured, fans are being treated to great stories that are winning them over with each arc. Now at the pen-ultimate chapter of this arc, the evil lurking is coming into focus. Can the protagonist find a way to stop it?

House Of Slaughter #19 by Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera brings a fan-favorite White mask up close and personal to something he has been dreading confronting: the truth. Let’s take a closer look and see how things shape up, shall we?

House Of Slaughter #19 by Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera (CREDIT: BOOM! STUDIOS - Cover: Javier Rodriguez)

*** POSSIBLE SPOILER WARNING ***

In a small town in Pennsylvania, there has been a string of unexplained murders. This has caught the attention of The Order of St. George. To investigate, they have sent BAIT, a White Mask with no arms and doesn’t speak. Posing undercover at a foster home, Bait meets Nannette, who has more of a connection to the case than she or even he realizes.

There is a striking connection to Bait’s sister Ashley and his tragic background that is clouding his judgement. Can he refocus on what is causing the killings before another victim is claimed?

This chapter begins with Bait processing what is causing the monsters to appear. He is also dealing with new instructions about how to approach this case. With time slipping away, a difficult choice needs to be made. The totem companion taking the form of cut-out dolls break down an uncomfortable truth. Nan is sick and the illness is causing the problems in the town.

The secret is somewhat figured out by more of the kids at the foster home. With the information becoming public, Bait has to act whether he wants to or not. Readers see what call Bait makes and it will throw some for a loop. The drama that has been building finally comes to a a head. Brace for major fallout ramifications as the final image leaves no doubt in anyone’s mind how deadly a choice can be.

House Of Slaughter #19 by Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera (CREDIT: BOOM! STUDIOS - Cover: Werther Dell'Edera)

Johns delivers an emotionally charged issue within these pages. The conflict concerning Bait is more that just a routine job. Johns makes the struggle very clear as Bait fights to come to terms with what he’s discovered. The totem makes for a perfect devil/angel on his shoulder trying to talk him into making a decision.

Pacing constructs a smooth transition to a strong latter portion of the book. Everything from the previous issue have built to a certain moment and it doesn’t fail to hit its’ mark. Just when readers come to terms with Bait’s direction, a closing image throws everything off. The forthcoming finale will be one fans are talking about.

Cadonici and Segala paint the picture of confliction and doubt through Bait’s eyes. Coming off such a tragic story last issue, the art mirrors the same overtones and lets Bait (along with the reader) time to let the gravity of the information sink into focus. The latter half of the book shines with the visual pouring with the deep-rooted feelings.

As the action unfolds, readers can sense the despair and fear running though the characters as a conflict merges. This all comes to a screeching halt with a huge full page final panel that will shock readers heading into the story finale.

House Of Slaughter #19 by Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera (CREDIT: BOOM! STUDIOS - Cover: Raul Allen)

FINAL POINT: 9 OUT OF 10

The feelings of heart-break and danger flood the pages of this SIKTC spin-off, adding another layer to an already moving tale. Impactful writing sets up stunning visuals to carry Bait’s tale into the final moments. This is one issue you need to leave the local comic shops with in your possession. Fantastic work!

Hit me up on ODPH social media and let me know your thoughts on House of Slaughter #19. Thanks for reading!

SOMETHING IS KILLING THE CHILDREN #34 (BOOM! STUDIOS)

Welcome to an all new edition of Parlay points, the comic book review blog to the ODPH Podcast!

For this entry, we have arrived at the penultimate issue of the current story arc from an award winning series. Ever since its’ BOOM! STUDIOS debut, the saga of Erica Slaughter has entranced readers with its powerful storytelling and chilling terror. Racking up honor after honor, the series is poised (post SAG strike) to make a huge splash on Netflix. In the meantime, comic book readers are treated to a deeply intense tale that is poised to combust!

SOMETHING IS KILLING THE CHILDREN #34 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design presents the calm before a storm that has been building for months. Let’s not waste another second and dive into this latest chapter, shall we?

SOMETHING IS KILLING THE CHILDREN #34 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design (Credit: BOOM! Studios)

*** POSSIBLE SPOILER WARNING ***

Tribulation, New Mexico has been the epicenter of the latest arc. With a family being violently murdered by the Duplicitype (who now has taken the form of a certain monster hunter), the lone survivor, Gabi, has been under the custody of Riqui. With a growing body count, Erica Slaughter has re-emerged from being off the grid to end the killings.

Her return hasn’t gone unnoticed as the Order Of St. George has unfinished business with her. They have unleashed the deadly force of nature known as Cutter to eliminate her. With personal attacks breaking her like the death of Big Gary, readers have seen why Erica is a character that has won fans over. Through this fire, Erica remains standing and poised to finally end the evil once and for all.

This issue opens with Erica practicing riding a horse. Erica needs to strike from a distance to kill the Duplicate. Riqui and Erica have a tense conversation knowing what is about to unfold. With poisoned arrows and bow ready, Erica is ready. Riqui has doubts.

While this is happening, Gabi is inside the secluded ranch where the three are hiding. Unfortunately, someone else has found them: CUTTER! As Gabi screams, the monster starts approaching from up the road! The tension is so heavy as reader brace to a fight that truly feels grave. What will Erica do? The pace speeds up to an absolute jaw-dropping final panel. Brace for impact because the drama hits the wall hard with an unforgettable issue!

SOMETHING IS KILLING THE CHILDREN #34 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design (Credit: BOOM! Studios - cover: Giuseppe Camuncoli)

Nobody does slow build drama better than Tynion. Nobody. this might sound like a broken record at this stage but WOW, the structure of this issue alone is amazing! The conversation between Erica and Riqui plays off as a final goodbye. The feelings are doubt and struggle. This adds so much to the eventual moment of the fight.

The appearance of Cutter is fantastic as she strikes in such a manner that makes her a villain you love to hate. The pacing ramps into high gear once she appears and never looks back. readers can’t help but be locked in and be floored at the closing moments. If there was any question of why this series gets so much hype, read this issue.

Dell’edera and Muerto craft the “calm before the storm” with poise. The opening sequence seems peaceful but filled with tensions. The mannerisms of both Erica and Riqui do not seem confident but they press forward. The panels where Cutter strikes hit readers with intense danger. This is upstaged (briefly) with a full page shot of the monster/Erica combo walking towards the ranch. The art depicts the franticness of events with subtle glee from Cutter looming. The ending panels will leave readers in pause and the wait for next issue will be extremely tough. What an issue!

SOMETHING IS KILLING THE CHILDREN #34 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design (Credit: BOOM! Studios - cover: Rahzzah)

FINAL GRADE: 9.5 OUT OF 10

The slow build pays off huge as a showdown months in the making explodes off the pages of an undeniable issue. Tynion, Dell’edera and the team impact readers with superb writing and intense art to send Erica Slaughter into her gravest challenge yet. This is an absolute must buy on New Comic Book Day!

Hit me up on ODPH social media and let me know your thoughts on Something Is Killing The Children #34. thanks for reading!

DUCK AND COVER #2 (COMIXOLOGY ORIGINALS)

Welcome to an all new edition of Parlay points, the comic book review blog to the ODPH Podcast!

For this entry, we are following along one of the latest Scott Snyder stories on the Comixology Originals line! In case anyone has been missing out on the Best Jackett Press imprint, the next wave of books are hitting the digital shop with “By a Thread” and the next chapter in a story based in the 1950’s.

DUCK AND COVER #2 by Snyder, Rafael Albuquerque, Marcelo Maiolo and Bernardo Brice leads readers on an epic journey into sci-fi and mystery. Let’s not wait another second and head into breaking down this chapter!

DUCK AND COVER #2 - SCOTT SNYDER, Rafael Albuquerque, Marcelo Maiolo and Bernardo Brice (CREDIT: Comixology Originals via Best Jackett Press and Stout Club)

*** POSSIBLE SPOILER WARNING *** LAST ISSUE REVIEW

Del Reeves never thought in his wildest dreams the world around him would change so much. After the fallout at a drive-in theatre fight, Del and others involved with the fight get caught in a bomb blast at “Daytension”. Once they come to, the kids witness first hand how much has changed!

This chapter begins with Pugg Lansky having a flashback to an incident with his father. Lansky is the person responsible for the fight at Del’s Drive-In Movie. Snapping back to the present storyline and Pugg’s head is reattached to a new body. It is a gripping scene that reminds all that not everything will have a happy ending.

Meanwhile the remaining survivors assess what has happened to their world. However, they don’t have time as they’re ambushed but some mutated creatures. Del quickly sees that the radio station is near by. A plan is made and the group braves the harsh environment. The group arrives but not with ease. Luckily, the DJ known as Popscile blares loud music to be a distraction.

Readers quickly learn that more has happened to this world than anyone knows. What secrets are found? What dangers lie ahead. The New World Status dives into the unknown as the closing moments build towards a shocking final page. After witnessing the visual, it will be difficult to patiently wait for the next chapter. There’s many things to like with this story.

Snyder keeps readers guessing with where the story heads now. The group of survivors have an uneasiness to their actions as they process what has happened. Being caught up in a letteral unstable environment pushes their limits. Snyder showcases how they are not ready for what lies ahead. The sense of fear and doubt haunt this group/ That said, a quick easter egg is dropped later in this issue that can only add to more distrust. This builds to the final page where the story bookends perfectly from where it started here.

Albuquerque and Maiolo waste no time blending in various elements to this story. From the opening flashback to the current state of Pugg, the art team leaves no doubt on the beginning of the story. There’s a subtle but excellent panel of how the survivors drive forward through a clear night sky via the coloring of panels. It gives readers a sense of calm before the script ramps up the speed. The latter half of the book may catch some off-guard but it plays into the essence of this thrilling sci-fi tale.

FINAL POINT: 9 OUT OF 10

The sharp writing of Snyder blends with Albuquerque’s creative visuals to give readers an engaging chapter to an already impressive story. The elements of mystery and horror challenge Del and the survivors to new levels. This leads readers to be clamoring for the next chapter whenever its’ hitting the digital shop next.

Hit me up on ODPH social media and let me know your thoughts on Duck and Cover #2. Thanks for reading!

HOUSE OF SLAUGHTER #18 (BOOM! STUDIOS)

Welcome to an all new edition of Parlay Points, the comic book review blog for the ODPH podcast!

For this entry, we're checking out the latest chapter from BOOM! STUDIOS hit spinoff series in the “Slaughter-Verse”! If you haven’t checked out HOUSE OF SLAUGHTER yet, you’re really missing out. The Anthology style takes on some of the characters has really grown the fandom of the series. It has also provided memorable tales that new readers can easily jump in for a story and become hooked into the lore of the Order of St. George.

House Of Slaughter #18 by Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera spotlights a member of the order with a heartbreaking tale. Let’s take a closer look and see what is happening now, shall we?

House Of Slaughter #18 - Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera - Credit: BOOM! Studios - Cover: Javier Rodriguez

*** POSSIBLE SPOILER WARNING ***

When dead bodies start appearing in a small town in Pennsylvania, the Order of St. George sends in BAIT to investigate what is causing the killings. Bait is a White Mask with no arms and doesn’t speak. This move puzzles some of the other masks but as anything involving the Order, “Trust The Process”.

While at the foster home conducting his search, Bait becomes infatuated with Nannette, a girl who may have more to the case than Bait wants to acknowledge. With a monster lurking in town, Bait can’t afford to lose focus. The battle of head verses heart ranges on in between fighting some battles searching for the truth.

This issue kicks off with someone at the Order searching for information on Bait. However, Gerde, a red mask, finds the young member digging up information. After some cat and mouse banter, Gerde comes to an arrangement for the information while giving readers some insight into why Bait is so special.

Bait’s actions begin to draw notice from others at the home and outside. With mounting information, Bait’s been slacking and this doesn’t sit well with certain members of the Order. How can he get back on track? Can Bait accept what he’s finding? Readers see a tragic tale play out before them as the details of this mission start to become clearer with a final panel that sets a dangerous course moving forward.

House Of Slaughter #18 - Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera (cover: Werther Dell'Edera) credit: BOOM! Studios

Johns sets up the drama before delivering a crushing blow with the middle act. The mystery of Bait has been a draw to the other members of the Order. Johns gives this element a gripping lead with Gerde as she serves as a narrator to what is to come. The action moments give a break to the serious tone but nothing will hit harder than Bait’s beginnings coming to life.

The scenes are heartbreaking as the danger pours with frightening emotion. The scenes are paced with building tension that never stops climbing. readers can’t help but empathizes with the scenes unfolding until Johns brings the moments to a slow break halt. The final act ties events back to the overall tale heading right to a big final moment. Nothing but win with the writing in this issue.

As for the art, Cadonici and Segala provide striking visuals to support the heartbreaking drama unfolding. The mystery of Bait sets things off in a solid directions with Gerde’s interrogation for info. The coloring gives a haunting feel as the truth starts coming to light. The action panels make a solid break from the drama and show why Bait has been selected here.

That said, Nothing will top the Bait flashback panels. The range of emotions being displayed is an instant success with the readers. It drives home the point of the tragedy unfolding and what the aftermath has left behind. This all builds into the closing moments where Bait’s internal struggle goes deeper into the seriousness of the matters at hand. Great way to end thing heading into the back stretch of the story.

HOUSE OF SLAUGHTER #18 - Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera - Cover: Raul Allen - Credit: BOOM! Studios

FINAL POINT: 9 OUT OF 10

The mystery of Bait starts coming into focus with an absolutely stunning tale within these pages. johns delivers on superb writing and takes readers into a side of Bait never seen before. Cadonici and Segala support the devastating drama with intense panels setting forth the tough road ahead for the young White Mask. Don’t pass up getting this issue on New Comic Book Day.

Hit me up on ODPH social media and let me know your thoughts on House of Slaughter #18. Thanks for reading.

THE DEVIL THAT WEARS MY FACE #1 (MAD CAVE STUDIOS)

Welcome to an all new edition of Parlay points, the comic book review blog to the ODPH Podcast!

For this entry, we are checking out a brand new horror series from Mad Cave Studios! Being the start of October, it’s the perfect time to release this to comic book readers. That said, it’s also a challenge to stand out amongst the related theme tales at the local comic shop. Considering the creative team behind this, standing out and grabbing fans’ attention won’t be a problem.

THE DEVIL THAT WEARS MY FACE #1 by DAVID PEOPOSE (Savage Avengers, Spencer and Locke), Alex Cormack and Justin Birch present a multi-layered story that is a lock to win over fans no matter what their fandom is. Let’s take a closer look and see what is being unleashed to the masses here, shall we?

Editor Note: Some of the artwork reflects the tones of the Mature readers theme in the book. Viewing discression is advised.

THE DEVIL THAT WEARS MY FACE #1 by DAVID PEOPOSE (Savage Avengers, Spencer and Locke), Alex Cormack and Justin Birch (Credit: MAD CAVE STUDIOS)

*** POSSIBLE SPOILER WARNING ***

The year is 1740. Hugo Izan and a woman are talking as they watch over a cell. They are wondering how Father Mattias is doing as he is locked inside with something sinister. As the holy man tries to help the poor soul locked inside, he soon realizes that things are much more evil inside these walls than he could ever imagine.

With a terrifying voice and glowing red eyes, Hugo’s son Santiago, stares back at Father Mattias with evil intentions. With thunderous noise, the pair outside the door brace for the worse What they see even tops their wildest notions. Father Mattias has been brutally murdered. The man behind the killing is shackled to the wall, but this is no ordinary man. He is possessed by a devil named Legion.

In Rome, Father Franco Vieri is talking inside a confession booth. Readers witness Vieri’s portrayal of confronting a possessed soul. This ultimately leads him to accepting an offer to try succeeding where others have failed: save Santiago.

What will Vieri find when he arrives at the scene? Can he pull off what so many others have failed at. Readers brace for a journey as they watch as Vieri crosses paths with pure evil. Just when it seems to all fall into place, there are quite the surprises heading into the final pages. Once the last page is seen, there is no doubt that this will be a story that simply can not be passed up on.

Pepose stretches out the themes of the story to truly make this tale stand out. The beginning of the story gives enough clues to the readers to sense the danger looming. Once Veiri enters the mix, Pepose does an excellent job building him up to the audience. Vieri approaches the situation with new eyes but the writing reflects the mood of fear and anxiousness.

The pacing gives the overall conflict time to grow and is an easy follow for the readers. The final page will be what fans talk most about here and with Pepose at the helm, the surprises are just beginning.

Cormack brings a gritty and dark style to the story. The introduction to Legion was haunting and build a solid foundation. Excellent full page shot of Legion and Father Mattias depicting the evil at hand. Veiri’s beginning created a noteworthy impression right from the start.

This adds more emotions to what eventually transpires with Vieri once he initially encounters Legion. The closing half of the book delivers on a strong visual confrontation that fans won’t want to miss. Fantastic final full page to let any doubt disappear. The story is far from over.

FINAL GRADE: 9.5 OUT OF 10

With Pepose’s sharp writing blended with Cormack’s haunting art, the ideas one would have about not doing an “exorcist” story in this time period quickly disappear. Combining action, drama plus the overall feel of horror and fans simply won’t be ready for what this issue and series is going to be bringing on New Comic Book Day. You don’t want to miss this one.

Hit me up on ODPH Podcast social media and let me know your thoughts on The Devil Who Wears My Face #1. Thanks for reading.

GRIM #13 (BOOM! STUDIOS)

Welcome to an all new edition of Parlay points, the comic book review blog to the ODPH Podcast!

For this entry, we are checking out a series that transcends comics. Since its’ debut, GRIM from Boom! Studios has been more than just “reading a comic”. It literally has been an experience and vibe all its’ own. With unique visuals and an ever-engaging story, the life and times of a reaper and her friends have never been more featured in such a stand-out way. Now on its’ third arc, all bets are off on how Jessica Harrow gets out of the latest situation she finds herself in.

GRIM #13 by Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano breaks away from the main story to focus on a dive into one character’s personal hell (literally). Let’s not waste another moment and jump into this incredible series, shall we?

GRIM #13 by Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano (Boom! Studios)

*** POSSIBLE SPOILER WARNING ***

Since readers have been introduced to Jessica Harrow, they have bared witness to danger following her at every moment. From an initial runaway soul transfer to finding out she is the daughter of Death, “It’s Complicated” is arguably the easiest way to describe her life. Along for the ride are two friends: Eddie and Marcel.

In the current arc, Jessica was betrayed by Annabel, a fellow reaper to Adira, the current reigning figure of the afterlife. Adira is also Jessica’s aunt. Annabel has had ulterior motives for what she does. Working a deal with Kelly (a devil), Annabel uses Marcel’s soul as payment. Feeling the pressure of her plans caving in, Adira tries pleading with Jessica to assist her in a surprise twist. However, Jessica has never lost sight that Marcel is gone because of her scheming.

This issue finally catches readers up to what happened to Marcel as Kelly sent him to hell (literally). The story begins with an “Act 1: Creation” introduction like a play. A narrator speaks in French to let the audience know the back story. Suddenly, the story lands in France 1898.

Marcel and his lover Henri are in the Cabaret watching the narrator. The couple’s playful banter camouflages the situation at hand. Henri pleads his case with Marcel until they wind up on stage in-front of the crowd. The scene turns quickly as Marcel is confronted with questions if he is an angel or devil? While trying to escape the mob, the breaking of Marcel has begun with haunting questions.

What level of Hell has Marcel wound up in? Readers quickly see that Marcel is being forced to relive his past mistakes along the way down. The mood is brooding and at times, Marcel becomes shaken at what he is witnessing. There are more acts to follow until the final destination is hit but is it truly the end? There is much to break down in this emotional issue.

GRIM #13 by Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano (Boom! Studios) Cover: Zu Orzu

Phillips pens a tale of self-exploration, forcing Marcel into uncomfortable territory. Due to the tragic way things ended with his lover previously, the writing reflects that pain. The pacing takes Marcel’s decent into personal hell slowly enough that readers can feel the torment.

The conversations of Henri and Marcel vary from playful to anger with more in-between. Once the final act starts, the tension built unloads into a boiling point. Its’ resolution concludes the issue on an intriguing note as to where things go from here.

Flaviano and Renzi construct the visuals in another standout way. Marking the acts in Full Page Panels let readers know what level Marcus was descending into. The coloring inside the Cabaret gave a distinct feel as Henri and Marcel’s banter took the chapter into a noteworthy direction.

This is mixed in with strong images ranging from a frightening end to the middle act while raising the emotional tension between the two in the final act. The closing panel poses some questions but completes the torturous journey for now.

GRIM #13 by Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano (Boom! Studios) Cover: Cully Hamner

FINAL POINT: 9 OUT OF 10

The descent into personal Hell makes a lasting impression in the pages of Boom! Studios’ hit series. Phillips presents the emotional turmoil of a tortured soul with the always impressive visuals of Flaviano, giving this series a feel and look like no one else. There is no excuse to pass on this issue on New Comic Book Day!

Hit me up on ODPH social media and let me know your thoughts on Grim #13! Thanks for reading!

HOUSE OF SLAUGHTER #17 (BOOM! STUDIOS)

Welcome to an all-new edition of Parlay points, the comic book review blog to the ODPH Podcast!

For this entry, we’re returning to the spin-off series stemming from Boom! Studios’ Something is Killing the Children. With House Of Slaughter, the spotlight is shinning on a specific character of the SIKTC. All the previous tales have been excellent reads, following the “slow burn” drama method fans have come to know and admire. With a brand new arc just beginning, the focus is on Bait, the White Mask with no arms.

House Of Slaughter #17 by Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera continues the tale of “Alabaster”. Let’s take a closer look and see how the story is progressing, shall we?

House Of Slaughter #17 - Creative: Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera (Credit: Boom! Studios - cover: Javier Rodriguez)

*** POSSIBLE SPOILER WARNING ***

Erie, Pennsylvania is the home of the latest mission involving the secret Order of St. George. With at least 14 dead in a small town, Bait has been sent undercover into a foster home to start investigating what is the cause of these killings. The move might be one that other younger members of the order question, but there s much more to this White Mask than anyone realizes.

This issue opens up with Bait waking up in his new surroundings. Making his way down the stairs, the foster house residents are all waiting. The meeting becomes a touch awkward with Bait keeping his emotions in check. Even with a playful welcome is given, Bait is thinking of taking out his “greeter”.

Things shift gears as another member of the house catches Bait’s attention: Nannette. Bait is distracted by her presence but regroups to focus on the mission at hand. Someone in the house is connected to the case. Someone is going to be exposed.

Readers see Bait go into action. What does he encounter in his travels? Why is he so infatuated in Nan? There are many questions laid out as small clues are revealed to the overall picture coming into view.

House Of Slaughter #17 - Creative: Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera (Credit: Boom! Studios - cover: Werther Dell’Edera)

Johns delves into Bait’s character for quite a few standout moments. The interactions meeting the house residents plays into his mysteriousness. It isn’t until Nan makes her appearance that Bait gives any inkling of emotion. The lone action sequence adds more fuel on that building fire of Bait’s true feelings.

Johns mixes in well-placed breaks to have readers guessing as to what’s a flashback or a dream. The slow pacing gives the character moments time to breathe and build up to a memorable parting page. It’s a great send off and one that looks to be one Bait might not be ready to handle.

Cadonici and Segala mix the moods of the story with perfect use of coloring. The blue shading of Bait’s “greeting” inside the house makes for a solid connection to the readers. Whenever Nan appears, the lighting shifts to an orange-red glow some would think is Bait’s emotions reflecting to the readers.

The action portions play out fast-moving and capped with a great two page flowing spread. The closing images are subtle in comparison but leave nothing behind heading into the story’s next phase.

House Of Slaughter #17 - Creative: Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera (Credit: Boom! Studios - cover: Raul Allen)

FINAL POINT: 8 OUT OF 10

The latest chapter of “Alabaster” keeps reader’s attention with excellent storytelling. Johns’ writing starts peeling back the layers of Bait’s character while the art team mixes in different coloring to lead the readers into the many levels of the mysterious White Mask. Don’t miss this book on New Comic Book Day!

Hit me up on ODPH social media and let me know your thoughts on House Of Slaughter #17. Thanks for reading.