SOMETHING IS KILLING THE CHILDREN #36 (BOOM! STUDIOS)

Welcome to an all new edition of Parlay Points!

For this edition, we are heading back into BOOM! Studios “Slaughterverse”. Last time fans saw Erica Slaughter, she was reeling from her encounter with Cutter. The emotional toll is still being felt by fans to this day. Where do things go from here?

SOMETHING IS KILLING THE CHILDREN #36 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design (BOOM! STUDIOS) heads into the past before showing Erica’s future.

Let’s take a trip back in Slaughterverse history!

SOMETHING IS KILLING THE CHILDREN #36 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design (BOOM! STUDIOS)

*** POSSIBLE SPOILER WARNING ***

The story begins five years prior to the showdown with Cutter. A Young child named Randy is raiding their refrigerator. On the news, the news anchor mentions children being mauled. It is presumed a bear or wolf is responsible. Readers know all too well it is more than that.

Randy sneaks into a barn with the stolen food. A figure is waiting inside for Randy. It is Erica Slaughter. Their talk is broken up by a dog belonging to one of the victims. Erica bonds with the dog as she starts piecing together her hunt.

Readers watch as Erica tries solving this mysterious case. What is the monster up to? Why the specific targets? The case heads into a distinct direction. The fallout delves into the composition of Erica. It is a bittersweet closing as the soul behind the hunter starts revealing itself to the audience.

Tynion takes readers into a self contained moment of Erica’s early life to much delight. The case is very straight forward. Erica is written as a evolving hunter, honing her craft. The connection with Randy and the dog make for memorable moments. Readers sense Erica’s growing concerns as she sorts through the hunt. The resolution exposes some elements while re-establishing her distance from others. Few writers can make a simple story so layered but Tynion pulls it off flawlessly.

Dell’edera and Muerto do a wonderful job building a tense feel in the beginning section of the issue. The use of 4-6 panels on each page constructs a slow pace leading to reveals. The art team also catches Erica having some glimpses of happiness with her animal companion. It is rare for her guard to be let down, but works to break up the brooding aura. The parting images leave the case closed with a noteworthy ending panel. There is no question that one case is closed but many more have just been opened.

FINAL POINT: 9.4

The journey into Erica Slaughter’s past is filled with emotion and mystery with this latest chapter. Tynion’s superb writing is setting the stages for a long pay-off. Dell’edera and Muerto provide impressive imagery capturing a side of the legendary hunter rarely seen. It’s phenomenal work that shouldn’t be missed.

Hit me up on ODPHpod social media and let me know your thoughts on Somehting Is Killing The Children #36. Thanks for reading.

HOUSE OF SLAUGHTER #22 (BOOM! STUDIOS)

Welcome to an all new edition of Parlay Points!

For this entry, we are following the final story involving a fan-favorite “slaughter-verse” character. House of Slaughter has given fans featured stories on certain characters. Few have won over readers such as Jace Boucher. Last we saw “The Boucher”, it appears his luck has run out. Can he make it though this latest ordeal in one piece?

HOUSE OF SLAUGHTER #22 BY Tate Brombal, Antonio Fuso, Miquel Muerto and AndWorld Design (Series Development: James Tynion IV and Designs and Development: Werther Dell’Edera) looks to give fans some more clues on the Butcher’s last stand.

Let’s take a closer look and see how things shape up.

HOUSE OF SLAUGHTER #22 BY Tate Brombal, Antonio Fuso, Miquel Muerto and AndWorld Design (Series Development: James Tynion IV and Designs and Development: Werther Dell’Edera) BOOM! Studios COVER: Nimit Malavia

*** POSSIBLE SPOILER WARNING ***

The issue begins in an abandoned amusement park. A young boy stands underneath a carousel. His name is Sunny Boucher. Sunny was under the care of Jace Boucher. That was the case until he was recruited into the House of Boucher by Jolie Boucher. Voices fill the air eluding to Sunny being in trouble.

The story shifts to Sunny being back at the House with Jolie. Jolie mentions how the Order from Chicago is here to take care of Jace. She sets up Sunny to trick Jace into walking into a trap.

Will Jace take the bait? Readers watch as the young boy is influenced to be the decoy to an onslaught. The rival House of Slaughter has some reservations about trusting Sunny. However, it appears that the plan might be falling into place.

Brace for a final act that changes everything. The closing image will have fans on edge knowing the Butcher’s final stand is in full swing.

HOUSE OF SLAUGHTER #22 BY Tate Brombal, Antonio Fuso, Miquel Muerto and AndWorld Design (Series Development: James Tynion IV and Designs and Development: Werther Dell’Edera) BOOM! Studios

Sunny Boucher’s story shifts dynamics as the driver for this chapter. The writing portrays him as a child looking for direction. The dynamic with Jolie wavers from loyal to uncertain. If not for her blind confidence, Jolie would see Sunny’s swaying opinions. This builds for a strong pay-off later.

The final act will hit longtime readers more than ones who jump in on the new arc. Knowing the back story between Jace and Sunny, it is an emotional moment that leads into a stronger one unfolding. The set-up for the final page works to carry the tension right to the next chapter.

The art doesn’t steer away of the pull on Sunny. The opening image of Sunny standing by the carousel sets an eerie tone. With the word bubbles surrounding him, the fear starts creeping in the young boy. The series of panels with Jolie “recruiting” Sunny leads readers through her delusional methods. This builds towards a solid middle act and striking final page.

FINAL POINT: 8.4

The last stand of Jace Boucher speeds forward with a solid chapter. The writing shows the confliction in a character who’s still finding their way. The art gives readers a sense of the emotional toll being taken. Mix them together and you have an issue worth checking out at the Comic Shops this week.

Hit me up on ODPHpod social media and let me know your thoughts on House Of Slaughter #22. Thanks for reading.

GRIM #16 (BOOM! STUDIOS)

Welcome to an all-new edition of Parlay Points! It’s the comic book review blog to the ODPH Podcast!

For this entry, the coolest book at the LCS returns! With a style and appeal that is all its own, the (after) life and times of Jessica Harrow has been a monster hit. Combining multiple elements of storytelling, comics’ favorite reaper has pushed the limits of creativity. Now entering a new arc, the series continues to set a high bar for others to follow.

GRIM #16 by Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano dives back into Jessica’s latest challenge: Annabel unleashing pure Hell on an unsuspecting Earth! Even with allies around her, will it be enough to stop the rogue Reaper?

Let’s not delay another second & check this issue out!

GRIM #16 by Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano (BOOM! Studios)

*** POSSIBLE SPOILER WARNING ***

After being betrayed by her aunt Adira, Jessica and her friends Eddie and Marcel have been tested to extreme measures. The tables turned quickly as Annabel used Adira’s bribe for a returned soul to unleash pure Sin! Now, Jessica and her remaining allies have bunkered down inside a diner as Annabel runs wild.

This chapter begins with a flashback sequence in 2003 Afghanistan. A young soldier is inside a building with another wounded known as Monroe aka “Roe.” The narration walks readers through the mindset of the lead soldier. As he helps up his wounded partner, a head shot kills Roe instantly.

The soldier processes what has just happened. Taking heavy fire, the narration shifts to the soldier fearing the end is near. Suddenly another voice jumps in and asks an awkward question. The time snaps back to present. Eddie is the guilty party for interrupting the narrator.

The mystery voice behind the flashback is none other than the Priest, whos’ story takes center stage. With Jessica gearing up to lead a fight, the Priest’s story of life and loss ignites a deeply moving tale. Readers will become locked in as events play out. Once the final pages unfold, the conclusion hits heavy with the inevitable about ready to commence.

GRIM #16 by Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano (BOOM! Studios) Cover: Riley Rossmo

Phillips pens an intense chapter filled with deeply emotional moments. The Priest’s story is filled with the deadly side of war. The phrase “War Is Hell” is never an understatement. Phillips weaves readers through the many phases of the Priest’s time in combat.

It carries a heavy weight as the moments build towards a crushing conclusion. The impact it has on Jessica is very evident. Knowing what lies ahead, even someone who’s been surrounded by death can still be affected by the life of a living being. This chapter gives a moving start to an already layers saga.

Flaviano, Renzi and Napolitano depict the hellish landscape of war with very bold imagery. The full page image of Roe’s death holds nothing back. The Priest’s reactions to events wear heavy with his facial responses. The ending of the flashback moments will hit readers very hard in their feelings. Even in the present, the art team closes events with a solid parting image, bracing for what lies ahead. Each creative member wastes no time in giving fans a return they won’t soon forget.

FINAL POINT: 9.8

Comics’ coolest book crashes New Comic Book Day with a powerful venture. Phillips’ strong writing lays the groundwork for a powerful chapter. The extreme landscape comes to life with the talents of Flaviano, Renzi and Napolitano crafting the dark imagery of the Priest’s past. This chapter is prime example of why Grim gets so much praise in its’ storytelling.

Hit me up on ODPHpod social media and let me know your thoughts on Grim #16. Thanks for reading!

HOUSE OF SLAUGHTER #21 (BOOM! STUDIOS)

Welcome to an all-new edition of Parlay points! It’s the comic book review blog to the ODPH Podcast!

For this entry, we’re beginning the final story of Jace Boucher. The Butcher of BOOM! Studios’ “Slaughterverse” has been carving a path in the Something is Killing The Children spin-off for quite some time. After recent events, Boucher appears to be on a deadly collision course. The Order of St. George is not one to forgive and forget. With them in pursuit, Boucher elects to play a deadly game. Can he win?

HOUSE OF SLAUGHTER #21 BY Tate Brombal, Antonio Fuso, Miquel Muerto and AndWorld Design (Series Development: James Tynion IV and Designs and Development: Werther Dell'Edera) kicks off an explosive new story.

Let’s take a deeper dive into the new chapter….

HOUSE OF SLAUGHTER #21 BY Tate Brombal, Antonio Fuso, Miguel Muerto and Andworld Design (Series Development: James Tynion and Designs and Development: Werther Dell’edera) Credit: BOOM! Studios

*** POSSIBLE SPOILER WARNING ***

In the port of New Orleans, a caravan of black cars drive. The narration tells a timeless story. Suddenly a voice asks to pull over. A man jumps out coughing blood. He sees the silhouette of Boucher in the distance. Reality sets in and the image disappears. The man is the Old Dragon of House Slaughter.

The group representing the Order of St. George has entered the halls of the House Of Boucher. Readers watch as the moment’s tension cuts like a blade. Both houses have different styles all their own. However, both agree on the same thing: End Jace Boucher once and for all. The meeting ends with the Old Dragon still scheming as winning this contest is the only option.

What does this mean for Jace? Readers witness as the life he’s tried hard to build now comes into direct danger. From the previous stories, Jace is far from healed of his demons. The final parting pages leave no question that Jace is determined to slay them along with his enemies. Let the hunting begin!

HOUSE OF SLAUGHTER #21 BY Tate Brombal, Antonio Fuso, Miguel Muerto and Andworld Design (Series Development: James Tynion and Designs and Development: Werther Dell’edera) Credit: BOOM! Studios

Brombal leans heavy into the uneasiness of the two factions for where this story leads. Dragon’s arrogance to the House Of Boucher is returned to make for a game of one-upmanship. The writing showcases the impact Boucher’s actions have on both houses. It adds more fuel to their causes to eliminate him.

Jace’s demons still play a factor into his role with the story. The writing mirrors the damage that has been done previously. It helps to build what is decided in the closing moments. The seeds have been planted for a dangerous chess match.

Fuso and Muerto construct a high level of pressure when the houses meet. The mannerisms shown towards each other indicates the uneasy alliance being made. The panels lead with Dragon getting a feel for the new house before turning the tables into his own favor.

The imagery of Jace shows his confliction with well placed flashbacks. The battle with the monster is fitting of the tow-page spread it gets. The battle is perfectly capped off with a bloodied Jace emerging from battle in a full page shot. The closing images leave readers with no hesitation of Jace leaving everything on the table when it’s all said and done with the Houses.

FINAL POINT: 8

The last stand of the Butcher begins with a slow burn first issue. Brombal crafts the writing to weave the key players towards their eventual collision course. Fuso and Muerto provide the high stakes images to solidify there will be no turning back from where this story is heading. Keep this one on your radar at the comic shops this week.

Hit me up on ODPH social media and let me know your thoughts on House of Slaughter #21. Thanks for reading.

PINE AND MERRIMAC #1 (BOOM! STUDIOS)

Welcome to an all-new edition of Parlay Points, the comic book review blog of the ODPH Podcast!

For this entry, we are checking out a brand new series from BOOM! Studios. In 2023, BOOM! had a monster year with such debuts as Mosley, Ghostlore and Harrower hitting the comic shops. They’re kicking off 2024 in a huge way with a mystery tale with an excellent creative team behind it.

Pine and Merrimac #1 by Kyle Starks (I Hate This Place), Fran Galán (Amazing Spider-Man) and Pat Brosseau welcomes readers to the world of a private investigating couple and their latest case. Let’s hit the ground running and see how things fare for the debut chapter.

Pine and Merrimac #1 by Kyle Starks, Fran Galán, and Pat Brosseau (Credit: BOOM! Studios)

*** POSSIBLE SPOILER WARNING ***

The story begins with Linnea Kent waking up to some coffee brought to her by her husband, Parker. They reside in the quiet town of Jamesport. Readers get a look into Linnea’s past. Her sister Alma was kidnapped and murdered. This led Linnea into a life as a homicide detective.

On one case, she met Parker aka “Pitbull”. While investigating the death of his sparring partner, they fell in love. After solving the case (the coach did it), the couple marries and moves back to Jamesport to open a small investigation practice. It’s located on the corner of Pine and Merrimac.

However, a new case looks to re-kindle some old emotions. A couple approaches Linnea and Parker about their missing daughter. She bears an eerie resemblance to Linnea’s sister. Normally, the pair wouldn’t take the case, but Linnea accepts the offer.

Where the story leads readers into a start of a deeper mystery hiding in a small town. What secrets lurk in the shadows? Is Linnea and Parker in over their heads? Judging by the final pages, readers have much to be excited for as a new mystery awaits.

Pine and Merrimac #1 by Kyle Starks, Fran Galán, and Pat Brosseau (Credit: BOOM! Studios) Cover: Erica Henderson

Right from the opening pages, Starks locks readers in to deeply invest in these characters. The story of Linnea hits a few emotional notes. The love story between her and Parker is caring while showing their true strength is their adoration for the other. This comes into play with the minor cases they work on. Parker’s protective nature plays off Linnea’s confidence perfectly.

Once the missing girls’ case comes across their path, Starks shifts gears without losing this mystique. The initial start to the case leads to displaying what they do best. The banter is enjoyable and breaks the seriousness of the surround drama. The closing moments tease just enough that readers can’t help but become hypnotized in what is unfolding here.

Galán lays out the landscape for quite the impressive debut. The flashback page is a full page image that flows easily to convey the past of Linnea. This is equally met with Parker’s backstory visuals. The expressions displayed from the couple never stray away from their devotion for the other. Even with the drama unfolding, it all comes back to the pair and the mission they have now signed up for completing.

Pine and Merrimac #1 by Kyle Starks, Fran Galán, and Pat Brosseau (Credit: BOOM! Studios) Cover: Jae Lee

FINAL POINT: 10

The secrets of Jamesport are about to surface with a story you simply can’t miss picking up. With Starks crafting the unbreakable bond of love of Linnea and Parker, Galán’s magnificent imagery excels the mystery to new heights. Get ready for the start of something comic fans will talking about through 2024 and beyond.

Hit me up on ODPH social media and let me know your thoughts on Pine and Merrimac #1. Thanks for reading!

BOOK OF BUTCHER #1 (BOOM! STUDIOS)

Welcome to an all-new edition of Parlay points, the comic book review blog to the ODPH Podcast!

For this entry, we are heading back to the world of one of Comics’ best series. Since its’ debut, the dangerous world of the Order of St. George has been a home to comic fans and critics. Something Is Killing The Children by BOOM! STUDIOS is consistently winning awards and is slated for a live-action show on Netflix.

As for comics, it has already spawned off another series, House Of Slaughter, with a special one-shot debuting last year: Book Of Slaughter. Now nearly a year later, the story of Maxine Slaughter continues.

BOOK OF BUTCHER #1 by James Tynion IV Werther Dell’Edera Miquel Muerto AndWorld Design, Tate Brombal, Antonio Fuso, Letizia Cadonici, and Chris Shehan picks right up where things left off. Let’s take a closer look and see how Maxine’s life has changed.

BOOK OF BUTCHER #1 by James Tynion IV Werther Dell’Edera Miquel Muerto AndWorld Design, Tate Brombal, Antonio Fuso, Letizia Cadonici, and Chris Shehan (Credit: BOOM! Studios - Cover: Dan Mora)

*** POSSIBLE SPOILER WARNING ***

After dealing with the death of Aaron Slaughter, Maxine contemplates the future. Cecilia, the aplha of her Withe Mask pack, presents her with a unique offer. With a shortage of Black Masks (solo hunters), there is a need to have more for the Order. The process is difficult to change masks. Maxine finds this out when she digs into the history of Erica Slaughter and the Order itself. Even with this knowledge, Maxine agrees to change.

The story begins with in the swamps of New Orleans. Maxine returns to a house. She is wielding axes covered in blood. A man watches and asks her if something is dead. Maxine replies with pushback. Maxine claims she doesn’t even know what she is hunting. Their banter is aggressive. Readers soon find out that the man is Louis Boucher, Maxine’s trainer to becoming a Black Mask.

After a meeting with Cecilia about her current situation, the story shifts back to the house in the Swamp. Maxine walks into Louis’ office. Maxine is asking for food and help. The response she gets is less than warm. Louis hands her a book. Inside are the pages to further her journey along.

Readers tag along as Maxine dives into the history of monsters via the House of Boucher. The information is vital in Maxine’s growth in becoming an independent hunter. The information also creates a new dynamic between Louis and Maxine.

Making moves in the shadows is Cecelia. She passes along where Maxine’s next stop should lead her. Readers of SIKTC know this place all too well. However, before heading there, Maxine still has more to learn from Louis. The final act throws a swerve into the situation. An idea is mentioned that looks to play a greater impact on Maxine’s story that she could ever imagine. The final panel’s chilling words cement that before leaving readers until next time.

BOOK OF BUTCHER #1 by James Tynion IV Werther Dell’Edera Miquel Muerto AndWorld Design, Tate Brombal, Antonio Fuso, Letizia Cadonici, and Chris Shehan (Credit: BOOM! Studios - Cover: Werther Dell’Edera)

Tynion challenges Maxine’s concept of what hunting is all about. The dynamic between her and Louis is rocky at best. Louis comes across as gruff and unapologetic. The debate about her learning is a version of “tough love” which offsets Maxine. The writing shows Maxine struggling to absorb the knowledge Louis is passing along. This remedies out by the final act, where it appears Louis gives her a lesson in trust.

The writing also plays up Cecilia as a difficult teacher in her own right. Their conversations are more pleasant than the ones with Louis. They also reflect the dangerous tasks that lie ahead for Maxine. This comes full circle in the final act. As Louis as been tested, his words become haunting as the latest lesson has been taught with a hint of doubt thrown in the mix.

The art duties are split throughout the issue. Maxine and Louis’ story gives readers a tense, uneasy lesson in hunting monsters. Cecelia’s story comes to life with subtle reactions while Maxine tries stating her issues wit Louis. The Boucher book is filled with excellent images of the monsters that live in the Slaughter-verse. It’s a complete package of telling multiple tales while keeping things moving in the same direction.

The final act is filled with a darker coloring scheme that illustrates the horrors Maxine thinks she is facing. The imagery translate more than the reader thinks. Balanced by the writing, the closing panels plant the seeds for something more sinister on the way.

BOOK OF BUTCHER #1 by James Tynion IV Werther Dell’Edera Miquel Muerto AndWorld Design, Tate Brombal, Antonio Fuso, Letizia Cadonici, and Chris Shehan (Credit: BOOM! Studios - Cover: Jae Lee)

FINAL POINT: 8.5

Maxine Slaughter’s transformation in the Order of St. George enters a new level with a stand-out tale. With Tynion’s strong writing guiding the all-star line-up of creators into creating a story of knowledge and trust, this will be one for fans not to pass on for New Comic Book Day!

Hit me up on ODPH social media and let me know your thoughts on Book Of Butcher #1. Thanks for reading!

HOUSE OF SLAUGHTER #20 (BOOM! STUDIOS)

Welcome to an all new edition of Parlay points, the comic book review blog to the ODPH Podcast!

For this entry, BOOM! Studios spin-off series from “Something Is Killing The Children” has showcased certain characters of the Slaughter-verse. The anthology style book has featured such characters as Jace Boucher and Edwin Slaughter in solo adventures. In its’ current arc, the spotlight is on Bait, a white mask who doesn’t speak and has no arms. Now arriving at his story’s end, Bait sees no easy way out of the misfortune he has found.

House Of Slaughter #20 by Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera brings a conclusion to the White Mask’s saga in “Alabaster”. Let’s see how the conclusion shapes up.

House Of Slaughter #20 by Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera (Credit: BOOM! Studios - cover: Javier Rodriguez)

*** POSSIBLE SPOILER WARNING ***

Bait was sent by the Order of St. George to investigate a string of murders in Erie, Pennsylvania. While there, he posed as a foster child and quickly became distracted by Nannette. Nannette bears a striking resemblance to his sister Ashley, who was murdered. With his judgement clouded, Bait slips up some secrets he shouldn’t.

This causes the Order to act swiftly. An order is given but Bait struggles with this. Knowing that Nan is sick and the cause behind these monsters, Bait tries to succeed where failure is the only option. When making a stand at the foster home, things do not side in his favor. During this moment, Bait is impaled by a monster!

The closing chapter begins with Bait watching the chaos ensue around him. A group of White Masks have arrived to confront the monsters. The battle is violent and unrelenting. Wounded, Bait can only watch as the Order steps up to finish the order given once and for all.

Readers get a blunt picture of the Order’s way of business. The imagery is graphic but reflects the cold-hearted ways of the mysterious group. Between the scolding of his fellow members, Bait is left only to watch his worst fears come true.

The fallout leads Bait back home. Readers see that a hero’s welcome might not be in his cards. The scenes are tough and hold nothing back. As the final act approaches, Bait’s world as he knows it will be forever changed from the murders in Pennsylvania. The ending sequence poses some surprises as one chapter has closed…for now, but it will only be a matter of tie before readers see the Order strike again.

House Of Slaughter #20 by Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera (Credit: BOOM! Studios - cover: Werther Dell'Edera)

Johns ties up loose ends with a solid finale to Bait’s latest mission. The struggle for following his heart vs. following the Order proved to be a heavy weight for the lead character. Johns pours in the emotional attacks as events unfold that greatly impact Bait. Right to the very end, Bait’s choices play out with make readers sit up and take notice.

One area that will jump out is how the Order takes care of “loose Ends”. Johns doesn’t glamorize the ruthless nature of the organization. Their actions truly speak louder than words. However, there are a few “good” members of the Order that make their way into the story. The ending makes readers think about what has transpired and leaves hope for what’s next. It brings the curtain down on this great performance until next time.

Cadonici and Segala paint the chilling picture of events throughout this issue. Opening with a two-page spread of mayhem works to create the tense mood of this chapter. The book’s statement panels come from how the Order ties up the remaining factors of the mission at hand.

The art team holds nothing back at the horrific methods in place. It connects with readers about how dire things look for Bait. These themes flows into the closing act as Bait comes to deal with the consequences of his actions. The final moments give a solid curveball to where things go from here. Another great arc is over for now, but not for long in the pages of this series.

House Of Slaughter #20 by Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera (Credit: BOOM! Studios - cover: Erica Henderson)

FINAL POINT: 9 OUT OF 10

Bait’s valiant attempts to win seem a losing cause in the pages of the SIKTC breakout series. Johns sets closes the door on this chapter with emotional writing while Cadonici and Segala echo the looming fear of repercussions for good intentions with excellent art. This will be one not to miss on New Comic Book Day this week!

Hit me up on ODPH social media and let me know your thoughts on House Of Slaughter #20. Thanks for reading.

SOMETHING IS KILLING THE CHILDREN #35 (BOOM! STUDIOS)

Welcome to an all-new edition of Parlay points, the comic book review blog to the ODPH Podcast!

For this entry, the showdown fans of Erica Slaughter have been waiting for is finally here! After an excellent slow-burn build, “The Showdown at the Easy Creek Corral” pits BOOM! Studios legendary monster hunter against her greatest rival to date! Considering last issue’s cliffhanger ending with a character’s life hanging in the balance, losing is not an option.

SOMETHING IS KILLING THE CHILDREN #35 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design gives readers the “big fight aura” with its’ story arc conclusion. Let’s not delay any longer and jump right into the action, shall we?

SOMETHING IS KILLING THE CHILDREN #35 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design (Credit: Boom! Studios)

*** POSSIBLE SPOILER WARNING ***

Erica Slaughter’s current investigation has led her to Tribulation, New Mexico. When a monster known as the Duplicitype (who now has taken the form of Erica) violently murders a family, a lone survivor named Gabi is on borrowed time.

Gabi is now under the custody of Riqui, a bartender doing all she can to help her. Even with Sheriff Carter’s involvement, the danger hasn’t left Tribulation. It’s only grown more terrifying. This is all because of an insane force of nature: Charlotte Cutter.

Cutter has been hired by the Order of St. George to eliminate Erica as she is considered a loose end to business. Knowing that re-emerging would put her life in danger, Erica took the chance to help Gabi anyway. Unfortunately, death and destruction has been left in Evil’s wake.

Erica, Riqui and Gabi make a final stand to draw out the Duplicitype but Cutter has crashed the party. Once Gabi is captured by Cutter, Erica makes a tough call to shoot the poisoned arrow meant for the monster at Cutter. Unfortunately, Cutter grabs it in mid air and stabs Gabi with the poison!

This issue wastes no time as Erica makes a direct line to attack Cutter. Gabi is screaming in pain as the poison starts taking hold. Riqui is helpless to stop it. Their words provide the soundtrack for an all-out violent throwdown between Erica and Cutter.

Nothing is held back as the two fight to the death. Readers get their money’s worth and then some as the rivals deliver on the emotional tension that’s been building. All the while, the monster is still walking towards their location.

The drama never stops escalating as the chaos swirls around Erica like a hurricane. Once the smoke clears, the resolution leaves scars that won’t fade away for Erica and the readers. Get ready for an intense payoff as one chapter closes but another one prepares to begin within these epic pages.

SOMETHING IS KILLING THE CHILDREN #35 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design (Credit: Boom! Studios - Cover: Cliff Chiang)

Being the champion of Slow-Burn drama, Tynion delivers a highly emotional conclusion to this arc. Erica’s struggle to find a win has been a major driver for this arc. Cutter has been one step ahead of her at every phase. With their final confrontation here, Tynion unleashes Cutter at her most deadliest. With stabbing words while hurting Erica, the dialogue uses words as weapons. It plays completely into how unhinged Cutter is. It also pushes Erica to go into another level to win.

The second confrontation nails the impactful build-up for the case as well. Gabi’s story has been the backbone of the entire arc and receives an magnificent send-off. Tynion mixes in elements of tragedy and triumph in an even blend to close out this tale. The ending issue arc reminds readers of how even in victory, there is much defeat. It further defines how incredible this series is

Dell’edera and Muerto bring the action at a fast pace throughout this issue. They mix in only a few moments to let readers catch their breathes. Those moments still jump out as you see Cutter’s insanity go toe-to-toe with Erica’s unbreakable will. It’s a great compliment to the fighting. Readers are gifted a full page panel that kicks off the conclusion of their altercation. It’s also a visual that will arguably cause a vocal “YES!’ reaction as well. That’s how much the art will lock you into the drama.

There are also a few other full-page images that will connect with readers in other ways. The story ranges with extreme highs and lows involving those panels. closing moments bring the story back down to set forth a solid overall conclusion. The parting image couldn’t be crafted any more perfect to conclude this chapter of Erica Slaughter.

SOMETHING IS KILLING THE CHILDREN #35 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design (Credit: Boom! Studios - Cover: Declan Shalvey)

FINAL POINT: 10 OUT OF 10

The latest challenge in Erica Slaughter’s life comes to a chaotic and explosive conclusion with an amazing issue. Tynion’s superb writing orchestrates the thrilling showdowns fans have been waiting for. Dell’edera, Muerto & Andworld Design showcase through incredible imagery the brutality and heart-breaking reactions to another SIKTC classic! Absolutley DO NOT LEAVER THE LCS WITHOUT THIS ISSUE!

Hit me up on ODPH social media and let me know your thoughts on Something Is Killing The Children #35. Thanks for reading!

HOUSE OF SLAUGHTER #19 (BOOM! STUDIOS)

Welcome to an all new edition of Parlay points, the comic book review blog to the ODPH Podcast!

For this entry, We’re following along the latest installment of BOOM! Studios spin-off series from the world of James Tynion IV. With the mysterious inhabitants of the “slaughter-verse” being featured, fans are being treated to great stories that are winning them over with each arc. Now at the pen-ultimate chapter of this arc, the evil lurking is coming into focus. Can the protagonist find a way to stop it?

House Of Slaughter #19 by Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera brings a fan-favorite White mask up close and personal to something he has been dreading confronting: the truth. Let’s take a closer look and see how things shape up, shall we?

House Of Slaughter #19 by Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera (CREDIT: BOOM! STUDIOS - Cover: Javier Rodriguez)

*** POSSIBLE SPOILER WARNING ***

In a small town in Pennsylvania, there has been a string of unexplained murders. This has caught the attention of The Order of St. George. To investigate, they have sent BAIT, a White Mask with no arms and doesn’t speak. Posing undercover at a foster home, Bait meets Nannette, who has more of a connection to the case than she or even he realizes.

There is a striking connection to Bait’s sister Ashley and his tragic background that is clouding his judgement. Can he refocus on what is causing the killings before another victim is claimed?

This chapter begins with Bait processing what is causing the monsters to appear. He is also dealing with new instructions about how to approach this case. With time slipping away, a difficult choice needs to be made. The totem companion taking the form of cut-out dolls break down an uncomfortable truth. Nan is sick and the illness is causing the problems in the town.

The secret is somewhat figured out by more of the kids at the foster home. With the information becoming public, Bait has to act whether he wants to or not. Readers see what call Bait makes and it will throw some for a loop. The drama that has been building finally comes to a a head. Brace for major fallout ramifications as the final image leaves no doubt in anyone’s mind how deadly a choice can be.

House Of Slaughter #19 by Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera (CREDIT: BOOM! STUDIOS - Cover: Werther Dell'Edera)

Johns delivers an emotionally charged issue within these pages. The conflict concerning Bait is more that just a routine job. Johns makes the struggle very clear as Bait fights to come to terms with what he’s discovered. The totem makes for a perfect devil/angel on his shoulder trying to talk him into making a decision.

Pacing constructs a smooth transition to a strong latter portion of the book. Everything from the previous issue have built to a certain moment and it doesn’t fail to hit its’ mark. Just when readers come to terms with Bait’s direction, a closing image throws everything off. The forthcoming finale will be one fans are talking about.

Cadonici and Segala paint the picture of confliction and doubt through Bait’s eyes. Coming off such a tragic story last issue, the art mirrors the same overtones and lets Bait (along with the reader) time to let the gravity of the information sink into focus. The latter half of the book shines with the visual pouring with the deep-rooted feelings.

As the action unfolds, readers can sense the despair and fear running though the characters as a conflict merges. This all comes to a screeching halt with a huge full page final panel that will shock readers heading into the story finale.

House Of Slaughter #19 by Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera (CREDIT: BOOM! STUDIOS - Cover: Raul Allen)

FINAL POINT: 9 OUT OF 10

The feelings of heart-break and danger flood the pages of this SIKTC spin-off, adding another layer to an already moving tale. Impactful writing sets up stunning visuals to carry Bait’s tale into the final moments. This is one issue you need to leave the local comic shops with in your possession. Fantastic work!

Hit me up on ODPH social media and let me know your thoughts on House of Slaughter #19. Thanks for reading!

SOMETHING IS KILLING THE CHILDREN #34 (BOOM! STUDIOS)

Welcome to an all new edition of Parlay points, the comic book review blog to the ODPH Podcast!

For this entry, we have arrived at the penultimate issue of the current story arc from an award winning series. Ever since its’ BOOM! STUDIOS debut, the saga of Erica Slaughter has entranced readers with its powerful storytelling and chilling terror. Racking up honor after honor, the series is poised (post SAG strike) to make a huge splash on Netflix. In the meantime, comic book readers are treated to a deeply intense tale that is poised to combust!

SOMETHING IS KILLING THE CHILDREN #34 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design presents the calm before a storm that has been building for months. Let’s not waste another second and dive into this latest chapter, shall we?

SOMETHING IS KILLING THE CHILDREN #34 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design (Credit: BOOM! Studios)

*** POSSIBLE SPOILER WARNING ***

Tribulation, New Mexico has been the epicenter of the latest arc. With a family being violently murdered by the Duplicitype (who now has taken the form of a certain monster hunter), the lone survivor, Gabi, has been under the custody of Riqui. With a growing body count, Erica Slaughter has re-emerged from being off the grid to end the killings.

Her return hasn’t gone unnoticed as the Order Of St. George has unfinished business with her. They have unleashed the deadly force of nature known as Cutter to eliminate her. With personal attacks breaking her like the death of Big Gary, readers have seen why Erica is a character that has won fans over. Through this fire, Erica remains standing and poised to finally end the evil once and for all.

This issue opens with Erica practicing riding a horse. Erica needs to strike from a distance to kill the Duplicate. Riqui and Erica have a tense conversation knowing what is about to unfold. With poisoned arrows and bow ready, Erica is ready. Riqui has doubts.

While this is happening, Gabi is inside the secluded ranch where the three are hiding. Unfortunately, someone else has found them: CUTTER! As Gabi screams, the monster starts approaching from up the road! The tension is so heavy as reader brace to a fight that truly feels grave. What will Erica do? The pace speeds up to an absolute jaw-dropping final panel. Brace for impact because the drama hits the wall hard with an unforgettable issue!

SOMETHING IS KILLING THE CHILDREN #34 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design (Credit: BOOM! Studios - cover: Giuseppe Camuncoli)

Nobody does slow build drama better than Tynion. Nobody. this might sound like a broken record at this stage but WOW, the structure of this issue alone is amazing! The conversation between Erica and Riqui plays off as a final goodbye. The feelings are doubt and struggle. This adds so much to the eventual moment of the fight.

The appearance of Cutter is fantastic as she strikes in such a manner that makes her a villain you love to hate. The pacing ramps into high gear once she appears and never looks back. readers can’t help but be locked in and be floored at the closing moments. If there was any question of why this series gets so much hype, read this issue.

Dell’edera and Muerto craft the “calm before the storm” with poise. The opening sequence seems peaceful but filled with tensions. The mannerisms of both Erica and Riqui do not seem confident but they press forward. The panels where Cutter strikes hit readers with intense danger. This is upstaged (briefly) with a full page shot of the monster/Erica combo walking towards the ranch. The art depicts the franticness of events with subtle glee from Cutter looming. The ending panels will leave readers in pause and the wait for next issue will be extremely tough. What an issue!

SOMETHING IS KILLING THE CHILDREN #34 by James Tynion lV, Werther Dell’edera Miquel Muerto and Andworld Design (Credit: BOOM! Studios - cover: Rahzzah)

FINAL GRADE: 9.5 OUT OF 10

The slow build pays off huge as a showdown months in the making explodes off the pages of an undeniable issue. Tynion, Dell’edera and the team impact readers with superb writing and intense art to send Erica Slaughter into her gravest challenge yet. This is an absolute must buy on New Comic Book Day!

Hit me up on ODPH social media and let me know your thoughts on Something Is Killing The Children #34. thanks for reading!

HOUSE OF SLAUGHTER #18 (BOOM! STUDIOS)

Welcome to an all new edition of Parlay Points, the comic book review blog for the ODPH podcast!

For this entry, we're checking out the latest chapter from BOOM! STUDIOS hit spinoff series in the “Slaughter-Verse”! If you haven’t checked out HOUSE OF SLAUGHTER yet, you’re really missing out. The Anthology style takes on some of the characters has really grown the fandom of the series. It has also provided memorable tales that new readers can easily jump in for a story and become hooked into the lore of the Order of St. George.

House Of Slaughter #18 by Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera spotlights a member of the order with a heartbreaking tale. Let’s take a closer look and see what is happening now, shall we?

House Of Slaughter #18 - Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera - Credit: BOOM! Studios - Cover: Javier Rodriguez

*** POSSIBLE SPOILER WARNING ***

When dead bodies start appearing in a small town in Pennsylvania, the Order of St. George sends in BAIT to investigate what is causing the killings. Bait is a White Mask with no arms and doesn’t speak. This move puzzles some of the other masks but as anything involving the Order, “Trust The Process”.

While at the foster home conducting his search, Bait becomes infatuated with Nannette, a girl who may have more to the case than Bait wants to acknowledge. With a monster lurking in town, Bait can’t afford to lose focus. The battle of head verses heart ranges on in between fighting some battles searching for the truth.

This issue kicks off with someone at the Order searching for information on Bait. However, Gerde, a red mask, finds the young member digging up information. After some cat and mouse banter, Gerde comes to an arrangement for the information while giving readers some insight into why Bait is so special.

Bait’s actions begin to draw notice from others at the home and outside. With mounting information, Bait’s been slacking and this doesn’t sit well with certain members of the Order. How can he get back on track? Can Bait accept what he’s finding? Readers see a tragic tale play out before them as the details of this mission start to become clearer with a final panel that sets a dangerous course moving forward.

House Of Slaughter #18 - Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera (cover: Werther Dell'Edera) credit: BOOM! Studios

Johns sets up the drama before delivering a crushing blow with the middle act. The mystery of Bait has been a draw to the other members of the Order. Johns gives this element a gripping lead with Gerde as she serves as a narrator to what is to come. The action moments give a break to the serious tone but nothing will hit harder than Bait’s beginnings coming to life.

The scenes are heartbreaking as the danger pours with frightening emotion. The scenes are paced with building tension that never stops climbing. readers can’t help but empathizes with the scenes unfolding until Johns brings the moments to a slow break halt. The final act ties events back to the overall tale heading right to a big final moment. Nothing but win with the writing in this issue.

As for the art, Cadonici and Segala provide striking visuals to support the heartbreaking drama unfolding. The mystery of Bait sets things off in a solid directions with Gerde’s interrogation for info. The coloring gives a haunting feel as the truth starts coming to light. The action panels make a solid break from the drama and show why Bait has been selected here.

That said, Nothing will top the Bait flashback panels. The range of emotions being displayed is an instant success with the readers. It drives home the point of the tragedy unfolding and what the aftermath has left behind. This all builds into the closing moments where Bait’s internal struggle goes deeper into the seriousness of the matters at hand. Great way to end thing heading into the back stretch of the story.

HOUSE OF SLAUGHTER #18 - Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera - Cover: Raul Allen - Credit: BOOM! Studios

FINAL POINT: 9 OUT OF 10

The mystery of Bait starts coming into focus with an absolutely stunning tale within these pages. johns delivers on superb writing and takes readers into a side of Bait never seen before. Cadonici and Segala support the devastating drama with intense panels setting forth the tough road ahead for the young White Mask. Don’t pass up getting this issue on New Comic Book Day.

Hit me up on ODPH social media and let me know your thoughts on House of Slaughter #18. Thanks for reading.

MIGHTY MORPHIN POWER RANGERS #112 (BOOM! STUDIOS)

Welcome to an all-new edition of Parlay Points, the comic book review blog to the ODPH podcast!

For this entry, we are jumping back in one of the most anticipated stories in Power Rangers history. Since the new creative team has taken the reigns at MMPR# 101, Mighty Morphin’ Power Rangers by BOOM! Studios has generated a huge buzz amongst comic readers. Reinventing one of the fandom’s most legendary villains to a whole new level is no easy task. With the introduction of Mistress Vile succeeding in her evil plans, all hope appears to be lost as the heroes have now entered “The Darkest Hour”.

MIGHTY MORPHIN POWER RANGERS #112 by Melissa Flores, Hendry Prasetya, Matt Herms and Ed Dukeshire picks up the pieces of a heartbreaking loss with its latest chapter. Let’s not wait any longer and dive into what’s unfolding now, shall we?

MIGHTY MORPHIN POWER RANGERS #112 by Melissa Flores, Hendry Prasetya, Matt Herms and Ed Dukeshire (Credit: Boom! Studios - Cover: Taurin Clarke)

*** POSSIBLE SPOILER WARNING *** SEE ISSUE #111 REVIEW

The issue begins with Billy Cranston picking up his broken glasses. As he looks thru them, Billy notices his surroundings have drastically changed. He is now standing inside the Morphin Grid! As shocking that is, readers are more shocked to see Grace Sterling inside the grid.

With the events of last issue, Grace is dead. She apparently died at the hands of Matt, The Green Ranger possessed by Vile’s power. However, in this moment, Grace is alive and one with the grid. Grace explains how the grid is infected via the Dark Spector. Readers along with Billy sit in awe of the information and secrets revealed of what Vile’s actions have done.

The story shifts focus to Zach and Trini fighting off Vile’s forces. As things look to be failing for the pair, the rest of the Rangers swoop in and assist in the battle. After the melee, the united rangers come across one of the most polarizing characters as of late: Matt.

How does the meeting go? Considering the recent actions and accusations, the mood is extremely tense. Unfortunately, there is no rest from the attack from Vile and Spector. Tough calls are made as the Rangers are pushed to the breaking point. Just as hope feels lost, the final moments prove there might be some light at the end of the dark tunnel next time we see them.

MIGHTY MORPHIN POWER RANGERS #112 by Melissa Flores, Hendry Prasetya, Matt Herms and Ed Dukeshire (Credit: Boom! Studios - Cover: Goni Montes)

MIGHTY MORPHIN POWER RANGERS #112 by Melissa Flores, Hendry Prasetya, Matt Herms and Ed Dukeshire (Credit: Boom! Studios - Cover: Björn Barends)

Flores never lets up about how high the stakes are with this story. Right from the beginning, Billy seeing Grace (in this version) with the grave message is impactful. Emotions are still reeling from her death. The conversation goes from frank honesty of what’s happening to a reminder of why the rangers’ shoulders are big enough to carry the weight.

The portion with Matt reflects that as well. The reactions of what happened connect with readers as it will be a long road for recovery with not only the team, but himself as well. Pacing moves well to give both stories room to grow bringing it all together for the final page. Readers are on the road for something special with this saga.

Prasetya steps in for Di Gianfelice for this issue art and brings a different dynamic to the story. The moments inside the grid with Billy and “Grace” conveyed the gravity of the situation. The reactions in the conversation added a new layer to an already dangerous plying field. The action sequences with the Rangers and Vile’s forces deliver on excitement.

This balances out Matt’s struggles to deal with what he is going thru. The art demonstrates his shifting of feelings as it starts sinking in what has happened and how he played a part. The closing moments tie everything together with some final panels that will have the fandom on their edge of their seats waiting for the next chapter.

FINAL POINT: 8 OUT OF 10

The latest installment of “The Darkest Hour” brings forth a dire reality to their current situation. Flores presents strong emotional moments with the writing while Prasetya brings it to page with energetic art. The clock has just started on the “hour” and fans will want to get on board early on New Comic Book Day.

Hit me up on ODPH social media and let me know your thoughts on Mighty Morphin Power Rangers #112. Thanks for reading!

GRIM #13 (BOOM! STUDIOS)

Welcome to an all new edition of Parlay points, the comic book review blog to the ODPH Podcast!

For this entry, we are checking out a series that transcends comics. Since its’ debut, GRIM from Boom! Studios has been more than just “reading a comic”. It literally has been an experience and vibe all its’ own. With unique visuals and an ever-engaging story, the life and times of a reaper and her friends have never been more featured in such a stand-out way. Now on its’ third arc, all bets are off on how Jessica Harrow gets out of the latest situation she finds herself in.

GRIM #13 by Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano breaks away from the main story to focus on a dive into one character’s personal hell (literally). Let’s not waste another moment and jump into this incredible series, shall we?

GRIM #13 by Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano (Boom! Studios)

*** POSSIBLE SPOILER WARNING ***

Since readers have been introduced to Jessica Harrow, they have bared witness to danger following her at every moment. From an initial runaway soul transfer to finding out she is the daughter of Death, “It’s Complicated” is arguably the easiest way to describe her life. Along for the ride are two friends: Eddie and Marcel.

In the current arc, Jessica was betrayed by Annabel, a fellow reaper to Adira, the current reigning figure of the afterlife. Adira is also Jessica’s aunt. Annabel has had ulterior motives for what she does. Working a deal with Kelly (a devil), Annabel uses Marcel’s soul as payment. Feeling the pressure of her plans caving in, Adira tries pleading with Jessica to assist her in a surprise twist. However, Jessica has never lost sight that Marcel is gone because of her scheming.

This issue finally catches readers up to what happened to Marcel as Kelly sent him to hell (literally). The story begins with an “Act 1: Creation” introduction like a play. A narrator speaks in French to let the audience know the back story. Suddenly, the story lands in France 1898.

Marcel and his lover Henri are in the Cabaret watching the narrator. The couple’s playful banter camouflages the situation at hand. Henri pleads his case with Marcel until they wind up on stage in-front of the crowd. The scene turns quickly as Marcel is confronted with questions if he is an angel or devil? While trying to escape the mob, the breaking of Marcel has begun with haunting questions.

What level of Hell has Marcel wound up in? Readers quickly see that Marcel is being forced to relive his past mistakes along the way down. The mood is brooding and at times, Marcel becomes shaken at what he is witnessing. There are more acts to follow until the final destination is hit but is it truly the end? There is much to break down in this emotional issue.

GRIM #13 by Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano (Boom! Studios) Cover: Zu Orzu

Phillips pens a tale of self-exploration, forcing Marcel into uncomfortable territory. Due to the tragic way things ended with his lover previously, the writing reflects that pain. The pacing takes Marcel’s decent into personal hell slowly enough that readers can feel the torment.

The conversations of Henri and Marcel vary from playful to anger with more in-between. Once the final act starts, the tension built unloads into a boiling point. Its’ resolution concludes the issue on an intriguing note as to where things go from here.

Flaviano and Renzi construct the visuals in another standout way. Marking the acts in Full Page Panels let readers know what level Marcus was descending into. The coloring inside the Cabaret gave a distinct feel as Henri and Marcel’s banter took the chapter into a noteworthy direction.

This is mixed in with strong images ranging from a frightening end to the middle act while raising the emotional tension between the two in the final act. The closing panel poses some questions but completes the torturous journey for now.

GRIM #13 by Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano (Boom! Studios) Cover: Cully Hamner

FINAL POINT: 9 OUT OF 10

The descent into personal Hell makes a lasting impression in the pages of Boom! Studios’ hit series. Phillips presents the emotional turmoil of a tortured soul with the always impressive visuals of Flaviano, giving this series a feel and look like no one else. There is no excuse to pass on this issue on New Comic Book Day!

Hit me up on ODPH social media and let me know your thoughts on Grim #13! Thanks for reading!

HOUSE OF SLAUGHTER #17 (BOOM! STUDIOS)

Welcome to an all-new edition of Parlay points, the comic book review blog to the ODPH Podcast!

For this entry, we’re returning to the spin-off series stemming from Boom! Studios’ Something is Killing the Children. With House Of Slaughter, the spotlight is shinning on a specific character of the SIKTC. All the previous tales have been excellent reads, following the “slow burn” drama method fans have come to know and admire. With a brand new arc just beginning, the focus is on Bait, the White Mask with no arms.

House Of Slaughter #17 by Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera continues the tale of “Alabaster”. Let’s take a closer look and see how the story is progressing, shall we?

House Of Slaughter #17 - Creative: Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera (Credit: Boom! Studios - cover: Javier Rodriguez)

*** POSSIBLE SPOILER WARNING ***

Erie, Pennsylvania is the home of the latest mission involving the secret Order of St. George. With at least 14 dead in a small town, Bait has been sent undercover into a foster home to start investigating what is the cause of these killings. The move might be one that other younger members of the order question, but there s much more to this White Mask than anyone realizes.

This issue opens up with Bait waking up in his new surroundings. Making his way down the stairs, the foster house residents are all waiting. The meeting becomes a touch awkward with Bait keeping his emotions in check. Even with a playful welcome is given, Bait is thinking of taking out his “greeter”.

Things shift gears as another member of the house catches Bait’s attention: Nannette. Bait is distracted by her presence but regroups to focus on the mission at hand. Someone in the house is connected to the case. Someone is going to be exposed.

Readers see Bait go into action. What does he encounter in his travels? Why is he so infatuated in Nan? There are many questions laid out as small clues are revealed to the overall picture coming into view.

House Of Slaughter #17 - Creative: Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera (Credit: Boom! Studios - cover: Werther Dell’Edera)

Johns delves into Bait’s character for quite a few standout moments. The interactions meeting the house residents plays into his mysteriousness. It isn’t until Nan makes her appearance that Bait gives any inkling of emotion. The lone action sequence adds more fuel on that building fire of Bait’s true feelings.

Johns mixes in well-placed breaks to have readers guessing as to what’s a flashback or a dream. The slow pacing gives the character moments time to breathe and build up to a memorable parting page. It’s a great send off and one that looks to be one Bait might not be ready to handle.

Cadonici and Segala mix the moods of the story with perfect use of coloring. The blue shading of Bait’s “greeting” inside the house makes for a solid connection to the readers. Whenever Nan appears, the lighting shifts to an orange-red glow some would think is Bait’s emotions reflecting to the readers.

The action portions play out fast-moving and capped with a great two page flowing spread. The closing images are subtle in comparison but leave nothing behind heading into the story’s next phase.

House Of Slaughter #17 - Creative: Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera (Credit: Boom! Studios - cover: Raul Allen)

FINAL POINT: 8 OUT OF 10

The latest chapter of “Alabaster” keeps reader’s attention with excellent storytelling. Johns’ writing starts peeling back the layers of Bait’s character while the art team mixes in different coloring to lead the readers into the many levels of the mysterious White Mask. Don’t miss this book on New Comic Book Day!

Hit me up on ODPH social media and let me know your thoughts on House Of Slaughter #17. Thanks for reading.

HOUSE OF SLAUGHTER #16 (BOOM! STUDIOS)

Welcome to an all-new edition of Parlay Points, the comic book review blog to the ODPH Podcast!

For this entry, we are checking out the kick-off of a brand new story arc in one of Boom! Studios stand-out series. Spiraling out of the pages of the award winning Something is Killing The Children, House of Slaughter has carving its own spot as must-read stories on New Comic Book Day. The solo stories based in the SIKTC world has been winning over fans with each run. Now with a brand new arc and creative team, the series is ready to feature a certain character ready for the spotlight!

House Of Slaughter #16 by Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera is hitting the Local Comic Shops this week. Let’s see how the latest tale kicks off, shall we?

House Of Slaughter #16 - Creative: Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera (Credit: Boom! Studios)

*** POSSIBLE SPOILER WARNING ***

A monster is reeking havoc. A group of White Masks have arrived on the scene. They are searching for the main point of the monster’s base. One White Mask breaks away from the plan and is caught in the monster’s grasp. Once one of their group goes down, two call a formation and ask for the bait to be brought out.

The story shifts to where a group of young White masks are enjoying some down time at the Order of St. George when Cecilia Slaughter interrupts their time. There’s one big reason for her appearance. She is adding the White Mask known as Bait to the mission in Erie, Pennsylvania. Bait had his arms amputated.

The other masks banter amongst themselves not knowing why Bait gets to be selected. Readers soon find out as he is updated on the mission at hand.

What exactly is happening to cause a rising body count? Why is Bait selected for this? How does the Order of St. George tie in with this case? Readers begin the journey into this latest mystery with a fantastic starting point.

House Of Slaughter #16 - Creative: Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera (Credit: Boom! Studios)

House Of Slaughter #16 - Creative: Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera (Credit: Boom! Studios)

Johns hits the ground running with setting the foundation of where this new venture is leading. Seeing the reactions after Bait was selected for the mission added to the mystique of his character. Johns also factors in a great comparison of Billiards and Alabaster. Showcasing a piece of the Orders’ history in such a manner is a fun way to peel back a hidden layer of their past. Pacing gave every portion room to let each segment breathe. Much like anything in the SIKTC line, just enough is revealed without exposing the true nature of any plot. The same can be said here with a well-crafted debut chapter.

Cadonici and Segala mix in personal reactions with the terrifying theme of the story with the visuals here. Right form the beginning, the altercation with the monster and White Masks make a big statement. Bait’s eyes speak volumes about what is happening around him. This is balanced by the reaction of the young group after his selection. The banter about him leads readers into thinking how important he is to breaking this case open. This plays into the final arc of this issue, where the calm before the storm reigns down on readers closing the beginning of what is sure to be another classic HoS saga.

House Of Slaughter #16 - Creative: Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera (Credit: Boom! Studios)

House Of Slaughter #16 - Creative: Sam Johns, Letizia Cadonici, Francesco Segala, and AndWorld Design along with Series development from James Tynion IV and Werther Dell’Edera (Credit: Boom! Studios)

FINAL POINT: 8 OUT OF 10

The latest phase of the hit spin-off series from SIKTC doesn’t skip a beat presenting a captivating kickoff. Johns, Cadonici and the team highlight a White Mask’s trek into danger with solid writing and artwork. The story of Bait has only just begun but it is one you won’t want to miss.

Hit me up on ODPH Social media and let me know your thoughts on House Of Slaughter #16. Thanks for reading.

GRIM #12 (BOOM! STUDIOS)

Welcome to an all-new edition of Parlay Points, the comic book review blog to the ODPH Podcast!

For this edition, the coolest book at the LCS has returned for another arc via BOOM! Studios. The story of Jessica Harrow came back with a big return last month. Now with things looking very dire, an unexpected offer was made that could literally change everything.

GRIM #12 from Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano ushers in the next chapter of the latest story. Let’s take a closer look and see what’s going on, shall we?

GRIM #12 from Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano (Credit: Boom! Studios)

*** POSSIBLE SPOILER WARNING *** PREVIOUS ISSUE REVIEW

Currently, life for Jessica Harrow isn’t exactly going all so well. After a series of events following the deadly battle between The End and Death, people stopped dying. This lead to the Reaper’s powers starting to fade.

With no Death, Adira (Current ruler of the Afterlife & Jessica’s aunt) has been trying to avoid an uprising from the reapers while eliminating the threat to her position as ruler. She made Jessica the prime target for blame. After an assistance from Annabel (a reaper with ambitions of her own), Adira has imprisoned Jessica and fellow reaper Eddie.

However, “The enemy of my enemy is my friend” has become Adira’s motto now. Annabel is trying to unleash an evil as payment for betraying Jessica and using Jessica’s friend Marcel’s soul as payment to Kelly (a devil). With the pressure rising, Adira visits the pair in their prison and does the unthinkable. Adira is willing to give Jessica Death’s Scythe to handle this looming issue.

Meanwhile, Jessica’s human mother Lilah has escaped prison and is being courted by Life, who wants an amulet in Lilah’s possession. Offering the world hasn’t been enough so far, but he is determined to get it.

This issue starts with a flashback to the initial encounter between Death and Lilah. readers witness how Lilah’s past caught up with her and changed her future forever. Fast forward to the present and Life makes another play for Lilah’s amulet. Just when he thinks he’s got it locked up, Lilah turns the tables on him.

At this same moment, Adira pleads her case to Jessica. During the conversation, something happens with the sycthe that no one sees coming!

What happens now? Will Jessica take the deal? Can Lilah continue to deny Life? There is much more to process as the story heads into a new direction that will eave fans guessing at what is about to unfold!

GRIM #12 from Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano (Credit: Boom! Studios)

GRIM #12 from Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano (Credit: Boom! Studios)

BREAKDOWN: Phillips devotes a big portion into Lilah’s story. Seeing the initial encounter between her and Death starts putting together pieces to the larger puzzle at hand. The interactions with Life prove there is more going on with her than she is letting known. Since her introduction, she has been a character shrouded in mystery. With this issues structure, readers can start building a strong reaction to her.

Jessica’s current situation is another great swerve to the story at hand. The tension between her and arguably the book’s best character Adira continues to lock readers in. The endgame is very unclear with Adira and that’s nothing but win for fans. Seeing where Jessica ends up by this issue’s conclusion will keep things exciting until the next issue hits. One guarantee with this series is to always expect the unexpected.

Flaviano and Renzi make a big splash with the art for this issue. The moment that Lilah is shot, the perspective from seeing it through her eyes is a unique visual that readers will feel as the story plays out. The biggest image that will “WOW” readers is a moment with Jessica that gives more clarity about the destiny she is running from. It is a full page panel that screams in volumes! The final act is anothe rvisual hit. Where Jessica lands up and who/what she encounters makes a bold statement with an excellent backdrop. With this series, the art is a sure-fire win each time out.

GRIM #12 from Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano (Credit: Boom! Studios)

GRIM #12 from Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano (Credit: Boom! Studios)

FINAL POINT: 8.5 OUT of 10

The latest installment of Comics’ favorite reaper dives head-first into the power struggle of the afterlife with a can’t miss issue. Phillips’ excellent writing is complemented by the always impressive art of Flaviano to showcase the dangers unfolding not just for Jessica, but her mother as well. There’s a reason why this is comics’ coolest series at the LCS on New Comic Book Day.

Hit me up on ODPH social media and let me know your thoughts on Grim #12. Thanks for reading!

BRZRKR: POETRY OF MADNESS #1 (BOOM! STUDIOS)

Welcome to an all-new edition of Parlay Points, the comic book review blog to the ODPH Podcast.

For this entry, we are returning to the BRZRKR universe from BOOM! Studios for an all new adventure. The story of B aka Unute just wrapped up its’ debut run but that was far from the conclusion of the character. With projects tagged to Netflix still in the works (pre SGA strike), there is much for fans to look forward to.

Leading the way is BRZRKR: POETRY OF MADNESS by KEANU REEVES (“John Wick”, “The Matrix”), Steve Skroce, Dave Stewart and Ed Dukeshire. Where do the adventures of Unute take readers this time? Let’s take a closer look and see how this Kickstarter project to LCS staple shapes up!

Editor Note: If you are new to the series, BRZRKR is an ultra-violent series and some panels aren’t suitable for a younger audience. Discretion is advised.

BRZRKR: POETRY OF MADNESS by KEANU REEVES, Steve Skroce, Dave Stewart and Ed Dukeshire (Cover: Travis Charest - Art Credit: Boom! Studios)

*** POSSIBLE SPOILER WARNING ***

The story begins in Atlantis. A narrator explains for the mystique of Atlantis’ riches have brought out some unsavory characters trying to claim the resources for their own. Zubatai (The Narrator) greets the army storming the gates. She gives them a warning if they proceeed. The savages laugh it off. Zubatai responds with unleashing the King’s Guard: the half Man, half Mortal, All Killing force of nature known as Unute, the Berserker!

One man verses thousands doesn’t sound like fair odds. However, it’s not fair odds for the thousands. The violence is unleashed as Unute takes the fight to the invaders in graphic fashion. When the conflict finally ends, it is Unute as the last man standing.

As he is paraded around the city to a hero’s welcome, Unute is greeted by King Azaes, whom they share a pivotal moment with the readers. Lurking in the background is Visane, a priest who Unute sense danger around.

Later in the evening, Unute stumbles upon a robbery of highly important objects. With the preist looks as the prime suspect, unute makes his way to confront him.

Once he arrives, Unute walks into a surprise situation that leads to nothing but trouble. What dangers have been unlocked? Can Unute stop them? What will be the future of the Kingdom now? Readers get set for another does of drama and ultra violence as Unute does what he does best. The conclusion brings a definite close to what should be a pleasing tale for fans from this series.

BRZRKR: POETRY OF MADNESS by KEANU REEVES, Steve Skroce, Dave Stewart and Ed Dukeshire (Cover: Travis Charest - Art Credit: Boom! Studios)

BRZRKR: POETRY OF MADNESS by KEANU REEVES, Steve Skroce, Dave Stewart and Ed Dukeshire (Cover: Travis Charest - Art Credit: Boom! Studios)

BREAKDOWN: Reeves doesn’t stray too far from the formula of previous issues of the brutal saga. If anything, this story has more moments of light-hearted dialogue than in recent memory. There is a bit of random swearing mixed in that works for some scenes but feels awkward in other stages.

Unute still connects as a troubled force of nature. Reeves scatters in more “human” elements with the flashback sequences of him filling in as a “father-Figure” to King Azaes. This plays heavy into the closing act, which ties up all loose ends before its’ conclusion. Readers who want the big action will not be let down as Reeves delivers on those larger-than-life times for a good majority of this issue. There’s absolutely nothing wrong as any long time reader of the series knows. If you want action, look no further.

Skroce steps in for art duties and spares no expense with the sheer brutality of Unute. The initial onslaught is a graphic two-page spread that readers witness limbs torn and cut off. Normally, this might be a bit much, but this fits Unute’s world to the letter. Skroce focus on the details of Unute’s regeneration as he heals up from the viciousness of battle. The gradual progression gives readers a sense of how things work concerning Unute.

They are gifted a wild scenario for the final battle. Unute’s big opponent gives the box office sense of epic once it enters the story. Even with the noticable difference in structure, the battle brings the same energy as only a BRZRKER story can. Great final one page panel to wrap things up with until we see Unute appear again.

BRZRKR: POETRY OF MADNESS by KEANU REEVES, Steve Skroce, Dave Stewart and Ed Dukeshire (Cover: Travis Charest - Art Credit: Boom! Studios)

BRZRKR: POETRY OF MADNESS by KEANU REEVES, Steve Skroce, Dave Stewart and Ed Dukeshire (Cover: Travis Charest - Art Credit: Boom! Studios)

FINAL POINT: 8 OUT OF 10

Unute’s return after the debut series conclusion sends the title character into a familiar realm. Reeves pens the story with a sense of action leading its way. Skroce and the team bring the vividly imaginative tale to life with unforgiving fight scenes fitting for the half-man, half god. If you’re a fan of BRZRKR, you won’t be disappointed with this issue.

Hit me up on ODPH social media and let me know your thoughts of BRZRKR: Poetry Of Madness. Thanks for reading.

SOMETHING IS KILLING THE CHILDREN #31 (BOOM! STUDIOS)

Welcome to an all new edition of Parlay Points, the comic book review blog for the ODPH Podcast!

For this entry, one of the best series in comics returns from a brief hiatus with a vengeance! SOMETHING IS KILLING THE CHILDREN #31 by James Tynion IV, Werther Dell’edera, Miquel Muerto and Andworld Design kicks off the next phase of Erica Slaughter’s greatest challenge! How does the latest issue from BOOM! Studios bring back the award winning story. Let’s not wait another second and return to the world of monsters and hunters!

SOMETHING IS KILLING THE CHILDREN #31 by James Tynion IV, Werther Dell’edera, Miquel Muerto and Andworld Design (Credit: BOOM! Studios - Cover: Jenny Frison)

*** POSSIBLE SPOILER WARNING *** SEE PREVIOUS REVIEW

Ever since her re-emergence in Tribulation, New Mexico, Erica Slaughter’s latest case has been anything but easy. Hunting down a monster known as a Duplicate, Erica has been trying to protect Gabi, the sole witness to the Monster’s attack of her family and Riqui, a local bartender turned guardian of Gabi from the dangerous evil. To complicate matters even more, The Order of St. George has unleashed Cutter, a vicious killer to take care of Erica once and for all!

Last issue saw Cutter frame Erica for the multiple killings of the Tribulation Police dept. Making matters worse, the duplicate has assumed Erica’s likeness in its’ attacks. Wounded and on the run, it appears time is running out for Erica to stop these forces once and for all.

This issue picks up with a survivor form the Duplicate’s latest attack. In their description to the Sheriff, Readers get a frightening picture of the events that took place. The fear in Owen’s voice recapping the attack leaves nothing held back. With the information given, Erica is clearly described as the attacker.

This should please Cutter, whose plan looks like its’ on the verge of success. However, Erica took something from her last issue that has the ruthless killer on edge: her Dolly. With noticeable outbursts, Cutter tries recomposing herself, but to no avail. Cutter is now pushed to the brink of insanity. This doesn’t bode well for Erica as she and her companions lay low in preparation for their next move.

With the dangers mounting, can Erica survive? What of the people under her protection? What of Cutter and the duplicate? Readers get an insight to Erica’s handling of the situation before a new player enters the deadly game. Get ready for an interesting change of events as the closing moments bring more than even the great Erica Slaughter could bargin for.

SOMETHING IS KILLING THE CHILDREN #31 by James Tynion IV, Werther Dell’edera, Miquel Muerto and Andworld Design (Credit: BOOM! Studios - Cover: Jenny Frison)

SOMETHING IS KILLING THE CHILDREN #31 by James Tynion IV, Werther Dell’edera, Miquel Muerto and Andworld Design (Credit: BOOM! Studios - Cover: Jenny Frison)

BREAKDOWN: Nobody currently does slow burn drama quite like James Tynion. Kicking off the new arc. the pacing allows for steady builds in all the major storylines. Seeing Cutter even more unhinged is a strong point to readers as her character appears ready to obtain victory. The initial outbursts leave no doubt as to how far gone she truly is. Meanwhile, Erica tries to regroup over recent events.

With her confidence rattled, Erica comes across determined to get back on track. This is overshadowed by moments between Gabi and Riqui. Seeing the pair bond over this ordeal breaks the tension up just enough before shifts back gears. Tynion throws in an excellent new development before tying off events in this return chapter. It’s issues like this readers fully understand why this series gets so much credit and praise.

Dell’edera and Muerto drive home how unglued Cutter has become. Seeing the visuals of the breakdown all leads to a full page panel that fans won’t soon forget. The art team also delivers on the latest Duplicate victim’s emotional state. Watching them relive a nightmare with their testimony to the sheriff set an early feel that never escaped the issue.

It balanced out with Gabi and Riqui’s more “normal” moments as they follow Erica’s lead. The break gives readers a chance to soak in the story before the shocking close-out panels. With the latest development, there is no way to pass on becoming hooked into the latest arc.

SOMETHING IS KILLING THE CHILDREN #31 by James Tynion IV, Werther Dell’edera, Miquel Muerto and Andworld Design (Credit: BOOM! Studios - Cover: Jenny Frison)

SOMETHING IS KILLING THE CHILDREN #31 by James Tynion IV, Werther Dell’edera, Miquel Muerto and Andworld Design (Credit: BOOM! Studios - Cover: Jenny Frison)

FINAL POINT: 9.5 OUT OF 10

The latest story arc of SIKTC kicks off with a superb return issue that fans can’t afford to miss. Excellent writing combined with haunting imagery sets the stage for a combustible series of future events. After reading the first few pages, the creative team defines what incredible storytelling is all about. Don’t miss this issue on New Comic Book day!

Hit me up on ODPH social media and let me know your thoughts on SIKTC #31. Thanks for reading!

SIRENS OF THE CITY #1 (BOOM! STUDIOS)

Welcome to an all-new edition of Parlay Points, the comic book review blog to the ODPH Podcast!

For this entry, we are checking out a brand new series from BOOM! Studios. BOOM! has had a monster 2023 year thus far and look to continue that win streak with its’ latest book. SIRENS OF THE CITY #1 by Joanne Starer, Khary Randolph and AndWorld Design brings readers to the supernatural side of 1980’s New York City. Let’s take a deeper dive and see what’s happening here!

Editor Note: The introduction to the story deals with a highly sensitive topic for some readers. Discretion is advised before starting.

SIRENS OF THE CITY #1 by Joanne Starer, Khary Randolph and AndWorld Design (Credit: BOOM! Studios - Cover: Skottie Young)

In 1987, a young girl named Layla walks thru a protest outside a clinic. With the crowd at a fever pitch, a protester makes a comment towards her. Layla responds by telling them to “Go jump in front of a bus”. What is thought of as a throwaway comment, Layla and the crowd turn in horror as the man actually did what she said!

The story jumps two weeks after. Layla is homeless on the streets of New York City. Asking for money from strangers, Layla appears to be trying to find “ Diane Gold.” At this moment, readers see a flashback to another time. With her “parents” telling her to find Lane, it appears Layla has manifested her powers and destroyed their house.

While at her spot on the street, a young man named Jerome brings her some food and a Yoo-Hoo. Readers quickly find out that Jerome is the father of Layla’s unborn child. Layla is very standoff-ish to Jerome. While walking away from him, she bumps into a stranger named Davi, who leads her into a world of unexpected mystery.

What is so special about Layla? Readers start finding clues to her true nature as a simple club experience unfolds. What of the club goers? Nothing is as it truly seems as Layla tries figuring it all out. Will she do it in time? that becomes the real question as moves escalate things to a haunting final visual to close chapter one out on.

SIRENS OF THE CITY #1 by Joanne Starer, Khary Randolph and AndWorld Design (Credit: BOOM! Studios)

SIRENS OF THE CITY #1 by Joanne Starer, Khary Randolph and AndWorld Design (Credit: BOOM! Studios)

BREAKDOWN: Starer keeps readers guessing with the secret side of Layla. Readers see how Layla struggles to realize she’s more than human which leads into a blunt opening sequence. Her interactions with other characters comes off as defensive into later in the story. This fits her character’s motives as being left on her own to deal with life.

When events pick up after Davi, readers get a true feel for what is about to unfold. There are some notable new characters introduced. It all plays into the unexpected world Layla has become a target in. The issue keeps readers guessing throughout. The closing act brings up more questions with a striking final image.

Randolph makes exceptional use of the colors in this book. Being drawn in black and white, the use of reds and blues adds a strong visual layer to the story. Readers can easily see something is special with Layla with the Blue coloring. They can also see the anger and offset aura with the usage of Red. Each character has distinct look to them and encompasses the 80’s vibe. The magical feel never leaves the pages. This stays true right up to the solid final page, making it crystal clear there is more to this story than anyone knows.

SIRENS OF THE CITY #1 by Joanne Starer, Khary Randolph and AndWorld Design (Credit: BOOM! Studios)

FINAL POINT: 8 OUT OF 10

Sirens Of The City by Starer and Randolph gives readers a unique vision of NYC in the 1980’s. With a lead character led by solid writing and electric visuals, the mystery surrounding Layla will be one for readers not to pass up on New Comic Book Day!

Hit me up on ODPH Social media and let me know what you thought of Sirens of The City #1. Thanks for Reading.

GRIM #11 (BOOM! STUDIOS)

Welcome to an all new edition of Parlay Points, the comic book review blog to the ODPH Podcast!

For this entry, the coolest book at the local comic shop returns via BOOM! Studios. Since its’ debut the horror saga of the afterlife’s favorite reaper made a huge impact on fans with its’ incredible storytelling and art. It may sound like a broken record at this stage but this series is so much more than just a comic. It is a whole vibe. GRIM #11 from Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano brings Jessica Harrow back to New Comic Book Day with a new chapter kicking off! Let’s take a closer look at how things shape up in the return, shall we?

GRIM #11 by Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano (Credit: BOOM! Studios)

*** POSSIBLE SPOILER WARNING *** PREVIOUS ISSUE REVIEW

Who would have thought one lost soul would have caused this much trouble? This is probably what reaper Jessica Harrow is thinking as her (after)life has been turned upside down and then some. After trying to bring a soul to the afterlife, it escapes and she somehow crosses over into the land of the living to redeem it.

Along with her friends Eddie and Marcel, Jessica searches out to find out the mystery behind her. Adira, current ruler of the afterlife and her aunt, is none too pleased with Jessica’s curiosity into the matter and has set out to stop her once and for all.

The search has led to the revelation Jessica is the daughter of Death! When the happy reunion goes down in Las Vegas, an entity known as The End looks stop Jessica. An epic battle takes place with Death’s demise in its aftermath.

Now banished into the land of the living, Jessica and her friends try adjusting. That plan goes out the window when people can no longer die and Jessica appears to be the cause! Denying a legacy laid out by the Sisters of Fate, Jessica’s actions lead to more trouble when it results in Marcel going to Hell, and her and Eddie’s capture by fellow reaper Annabel, who betrays Jessica and has cut a deal with Adira.

Oh yeah, let’s not forget Jessica’s mother Lilah is out of jail and now a guest of the entity known as Life.

This issue opens up with the Sisters of Fate recapping events in their own way. Meanwhile Annabel is meeting with Adira and Kelly (the devil responsible for Marcel’s current situation) about their barging. The soul exchange isn’t what Adira wants as she appears tentative to unleash that person back. Kelly sways the choice and starts the process.

All the while, Life is continueing his pursuit of an amulet in Lilah’s possession. Offering the world might now be enough, but something else is shown and the reaction screams from the page!

As for our favorite reaper, Jessica and Eddie are in their prison with tensions mounting. Things look hopeless until a surprise figure appears with a deal that readers won’t believe when they see it!

Who is Annabel trying to unleash? Will Lilah give up the amulet? And what about that final page?! Grim is back in a big way with much for readers to talk about!

GRIM #11 by Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano (Credit: BOOM! Studios)

GRIM #11 by Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano (Credit: BOOM! Studios)

BREAKDOWN: Phillips wastes no time in bring in the tension and turmoil for the return. Adira’s manipulations have been one of the book’s strongest key points. Seeing how she reacts to when Annabel turns the tables on the deal made for an interesting dynamic to the overall picture. Life and Lilah’s portion of the book added another layer of mystery as Lilah’s true intentions have never been fully exposed, but readers get a small crack into where she’s leaning.

There have now been a few examples that Jessica is still reeling from events and needs reassurance for what she’s doing. The banter between Jessica and Eddie fully displayed the pressure Jessica puts on herself and eventual start of her road to achieving her destiny. It’s another quality element to her story that connects with fans. Jessica is far from perfect but perfect enough to root for where she’s going.

Flaviano and Renzi remind fans why Grim is more than a book, it’s a whole vibe with the art in this issue. Starting from the Sisters of Fate’s intro, the visuals of the painting and the statues make a big statement from the jump. It gives readers a feel of how fate is playing Chess with all the characters. The depiction of Eddie and Jessica’s prison is another fantastic visual that readers will be blown away by. As great as that is, just wait for the two-page spread with Life’s surroundings! The masterful artwork displayed each issue never lets up and that’s such a win for fans. Excellent full page panel to send readers home to the next issue on.

GRIM #11 by Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano (Credit: BOOM! Studios)

GRIM #11 by Stephanie Phillips, Flaviano, Rico Renzi & Tom Napolitano (Credit: BOOM! Studios)

FINAL POINT: 9 OUT OF 10

The coolest book at the Local Comic Shop returns in a big way with Grim #11. The story being weaved by Phillips’ incredible writing is is perfectly matched with the astounding artwork of Flaviano and Renzi, bringing fans into the next phase of an already must-have series! Don’t miss picking this issue up on New Comic Book Day!

Hit me up on ODPH Social media and let me know what you thought of Grim #11. Thanks for Reading!